Seed Acoustic

[G] - 320033 or 3x0033

[D] [B] x2
 Subjects are thr[D]own around the room
 Looking fo[B]r the ones that got away [D]    [B]
 A feeling of s[D]oft anticipation
 Anothe[B]r confrontation I won't[D] make  [B]
 But how [D]do we do it[B]
 We turned int[D]o something else e[B]ntirely
 We [D]fake it  [B]
       [D]              [B]                   [G] (then strike [D] once)
 But I wanted it so desperately to be real

 [G]Run, run, holding on to some piece[Em]s that you left behind
 [D]Hold now, as I walk away, you're [A]the one that finds me out
 [Em]Run from the only thing left th[G]at I hold close
 I'll be [D]letting you in
 You've got the f[B]eeling you've been followed u[D]nder your skin
 It will be weigh[B]ing on your shoulder, beli[D]eve it. [B]     [D]        [B]

same as first verse)
If I could express it in a different dialect or in a delicate way
I'd capture the phrases inside the cage beneath my chest
And keep it locked for days
I wanted you so desperately to believe me

same as first chorus)

Run, run, why are you running from another conversation?
Someone that I've been planning on, you're the one that finds me out.
There's nowhere, now I found you, that I won't go.
I'm always letting you in.
You've got the feeling you've been followed under your skin.
It will be weighing on your shoulder.
You've got that seed in you.
You've got that seed in you.

[B] [A] [G] [A]
[B]Run, run, [A]what are you running fr[G]om?  [A]
Let all your sm[B]all steps expo[A]se your secrets.
[G]You don't have to spe[A]ak for me to believe it.
[Em]    [F#] But what do you m[G]ean?     [A]

[G]Shaken and faint, you've got the feeling
you've been followed [Em]under your skin.

It will be weighing on your shoulder.
[D]You've got that seed in you.
[A]You've got that seed in
[Em]I'm letting you in.

You've got the feeling you've been followed.
[G]Are you listening to anything [D]I've [G]said? [Em]
[D]You've got that seed in you. [A]

[G]Shaken and faint, it was the hardest thing to swallow.
[Em]Pretending you don't miss me.
[D]You've got that seed in you.
[A]You've got that seed in

[G]While letting you in, I'll be thinking about tomorrow.
[Em]And every time we cross those lines.
[D]You've got that seed in you.
[A]You've got that seed in
Em                           G               A(1)D(1) --strum those once
Oh no, as I walk away, everyone had found me out.       to end it.