Life Without You
Stevie Ray Vaughan & Double TroubleVersion1
90
Chords in this song
Strum
D-DU-UDU
{tuning: Standard (EADGBE)}The chords listed here take this into account... that is,you must lower them all by one half-step or tune your guitardown by a half-step in order to duplicate the pitches on hisrecording.STYLISTIC NOTES: This song, more than any other (I think),shows the influence that Jimi Hendrix had on SRV. So,before you play this song, I recommend that you do a littleoutside listening, specifically a lot of Hendrix, preferably"Little Wing" and "Bold as Love" in order to get the feel ofthis tune. You might also try listening to SRV's cut of"Little Wing." It would be possible for me to tab out allof the little intricacies of the tune, but there's nothing*special* in it... that is, these little licks are all overStevie Ray's and Jimi's tunes. [Note: For a morecontemporary example of these licks in action, listen toPearl Jam's "Yellow Leadbetter" (sp?)].Anyway, here's my transcription of the tune (Please forgiveany lyric mistakes I have made). Enjoy! (April '95)TRANSCRIPTION NOTES:Since there are three distinctive voicings of the E chordused in this song, I've listed all three of them andidentified them separately as E1, E2 and E3. These nameshave no meaning outside of this transcription: these chordsare all E major chords, but for this, they should be playedin the voicings I indicate.(Chords are listed in order of appearance):StringChord\ 6 5 4 3 2 1|E7+9: 0 7 6 7 8 (0){section: Intro}long and drawn out, with only two chords):BODY:Go on... live again, love again.{section: Coda}Repeat and fade out while soloing long and slow):
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Arrangement source for Life Without You by Stevie Ray Vaughan & Double Trouble
{tuning: Standard (EADGBE)}
strings were at [Eb], [Ab], [F#], [F#], [C#], and [Eb], respectively.
The chords listed here take this into account... that is,
you must lower them all by one half-step or tune your guitar
down by a half-step in order to duplicate the pitches on his
recording.
STYLISTIC NOTES: This song, more than any other (I think),
shows the influence that Jimi Hendrix had on SRV. So,
before you play this song, I recommend that you do a little
outside listening, specifically a lot of Hendrix, preferably
"Little Wing" and "Bold as Love" in order to get the feel of
this tune. You might also try listening to SRV's cut of
"Little Wing." It would be possible for me to tab out all
of the little intricacies of the tune, but there's nothing
*special* in it... that is, these little licks are all over
Stevie Ray's and Jimi's tunes. [Note: For a more
contemporary example of these licks in action, listen to
Pearl Jam's "Yellow Leadbetter" (sp?)].
Anyway, here's my transcription of the tune (Please forgive
any lyric mistakes I have made). Enjoy! (April '95)
TRANSCRIPTION NOTES:
Since there are three distinctive voicings of the E chord
used in this song, I've listed all three of them and
identified them separately as E1, E2 and E3. These names
have no meaning outside of this transcription: these chords
are all E major chords, but for this, they should be played
in the voicings I indicate.
(Chords are listed in order of appearance):
String
Chord\ 6 5 4 3 2 1
|
E7+9: 0 7 6 7 8 (0)
{section: Intro}
long and drawn out, with only two chords):
[A] [F#m]
BODY:
[E1]Oh, [E1]hello [A]baby, tell me, [A]how [Abm]high have you[F#m] been
We a[E1]ll have[A] missed you, and the.[Abm].. [F#m] way you grin
[E1]Day [E1]is nece[A]ssary, every [A]no-[B]ow [C]and [C#]then.
The sun could move [D]on, [D]givin' [C#]life [C]back a[B]gain... aaah
[B]Fly [B]on, [B]fly [B]on,[A] [A]fly [B]on, [C]my [C#]friend.
[D] [E2] [organ: [E], then [E7]]
Go on... live again, love again.
[E1]Day [E1]after [A]day, ni-i[A]ght[Abm] after n[F#m]ight
[E1]Sudden[E1]ly sing[A]in', every minute
As the [A]ye[Abm]ars go[F#m] passin' by.... by, by, by...
[F#m]Long [F]look [E3]in [Eb]the [D]mirror, we've [D]come [C#]face [C]to [B]face.
[B]Wish[Bb]in' [A]all [Ab]the [G]love... we took for granted
[G]Lord, [F#]we'd [F]have tod[E7+9]ay.... aaahhh aaahhh
[E1]Life [E1]without[A] you, all the love[A]..[Abm]. [F#m] we passed our way
The [E1]ang[E1]els have [A]waited for so long...
Now [Abm]they [F#m]have their way... take your place
{section: Coda}
Repeat and fade out while soloing long and slow):
[A] [F#m]The chord source is shown as supplied because its ChordPro syntax could not be parsed.