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FreeGuitarTabs

Lazy Eye Acoustic

Silversun Pickups
Version1
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90

Chords in this song

Strum
D-DU-UDU
{tuning: Standard (EADGBE)}
{sot}+-------+------------------+------------------+{eot}
| Chord | Full (Roots)     | Play Suggestions |
{sot}+-------+------------------+------------------+{eot}
| G#m/E | 0-11--x-13-12-11 | 0-11--x-13(12)-x |
{sot}| F#m/E | 0--9--x-11-10--9 | 0--9--x-11(10)-x |{eot}
{sot}| Am/E  | 0-12--x-14-13-12 | 0-12--x-14(13)-x |
| C#m   | 9-11-11--9--9--9 | 9-11-11-(9--9)-x |
| B     | 7--9--9--8--7--7 | 7--9--9-(8--8)-x |{eot}
{sot}| G#?   | ???              | x-11--x--9--x--x |
| E     | 0--2--2--1--0--0 | 0--2--2--1-(0)-x |
| E2    | x--7--x--9--9--7 | x--7--x--9-(9)-x |
+-------+------------------+------------------+{eot}
 
There are no versions with lyrics, chords, or even in song context (references to sections),
so I'm attempting to provide that, while also adding a fuller version that sounds great if
playing solo on acoustic. The real version is played mostly on only the bottom 2 strings
(E and A). That sounds awesome, but this is an alternative style that I've started using
because it sounds the same, but way better when playing without the bass, drums, electric
effects, and smoking hot chick (err...gay-sounding dude) singing it. It is also hopefully a
more knowledgable version where after seeing the root chords, you can decide whether to
add/remove the 5ths and 7ths yourself.
 
Main Riffs:
 
Riff 1 is the same with a different F#m/E at start of 2nd measure.
The Am/E  Am  is the quick slide or bend to the A note (if playing only 2 strings) or shown
here as a slide to Am.
 
{section: Riff 1a}
|----(1a)----|
{sot} | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
e|---------(*)----------*--|---------(*)------------*|
B|(12)--------(12)---------|(10----10-10-12-12/13\12)|{eot}
G|-13(13-13-13)13(13-13-13)|-11----11-11-13-13/14\13-|
{sot}D|-x--x--x--x--x--x--x--x--|-x-----x--x--x--x--x--x--|{eot}
A|-11-11-11-11-11-11-11-11-|-9-----9--9--11-11/12\11*|
{sot}E|-0--0--0--0--0--0--0--0--|-0-----0--0--0--0-----0-0|{eot}
 
{section: Riff 1b}
{sot}|----(1b)----|
e|---------(*)----------*--|------------------------*|
B|(12)--------(12)---------|---------(12-12-12/13\12)|{eot}
G|-13(13-13-13)13(13-13-13)|(11\9-/11)13-13-13/14\13-|
{sot}D|-x--x--x--x--x--x--x--x--|-x--x--x--x--x--x--x--x--|{eot}
A|-11-11-11-11-11-11-11-11-|-9-\7-/9--11-11-11/12\11*|
{sot}E|-0--0--0--0--0--0--0--0--|-0--------0--0--0-----0-0|{eot}
 
{section: Riff 1c}
{sot}|----(1c)----|
e|---------(*)----------*--|------------------------*|
B|(12)--------(12)---------|------------(12-12/13\12)|{eot}
G|-13(13-13-13)13(13-13-13)|---------(13)13-13/14\13-|
{sot}D|-x--x--x--x--x--x--x--x--|-9-h11p9--x--x--x--x--x--|{eot}
A|-11-11-11-11-11-11-11-11-|(9)-------11-11-11/12\11*|
{sot}E|-0--0--0--0--0--0--0--0--|(0)-------0--0--0-----0-0|{eot}
 
{section: Riff 2}
(varies in use, but this demonstrates the regular approach)
{sot} | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
e|---------(*)----------*--|---------(*)----------*--|
B|(9~)--------(9)----------|(7~)--------(7)----------|{eot}
{sot}G|-9~----------9-----------|-8~----------8-----------|
D|-11(11-11-11)11(11-11-11)\-9-(9--9--9)-9-(9--9--9)-|
A|-11-11-11-11-11-11-11-11-\-9--9--9--9--9--9--9--9--|
E|-9--9--9--9--9--9--9--9--\-7--7--7--7--7--7--7--7--|{eot}
 
{sot}[Bass]
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
E|-0--0--0--0--0--0--0--0--|-7--7--7--0-----0--0--0--|{eot}
 
Okay, now let's attack the song...
 
{section: Intro}
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
 |C#m                      |B                        | (x1) - w/ Riff 2
4)                                        I've been...
 
{section: Verse 1}
  waiting...                               I've been
  waiting for this moment   all...       my...
 
 |C#m                      |B                        | (x1) - w/ Riff 2
  life...                         but it's not quite
 
1)right.
2)                                         And this...
 
{section: Verse 2}
2)-possible, if possible    at who's     blind...
 
 
{section: Start solo 1}
1 (over this pass and a half)
2)
 
{section: Solo 1}
{sot}Part 1
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-14--14-12---------------|
A|-------------------------|----------14p12h14p12\11-|
E|-------------------------|-------------------------|{eot}
 
{sot}e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------9-----------9-----|-------------------------|
A|-9-h11---11--9-h11---11--|-------------------------|
E|-------------------------|-10/12\10-7--------------|{eot}
 
Then...
 
{section: Play solo 1}
2 (over these 4 measures)
 
{section: Solo 1}
{sot}Part 2
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-11-11--13--13/14-11-----|
D|-14-14-14-14-14-14-14-14-|-------------------------|
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|{eot}
 
{sot}e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-11-11/13--11/9----------|
D|-14-14-14-14-14-14-14-14-|-------------------------|
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|{eot}
                                         (I've been...)
 
{section: Verse 3}
2)waiting for this silence all...          night...
 
 
                           * play Solo 2 here (its short)
 
{section: Solo 2}
{sot}e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-14-14-------------------|
A|-------------------------|------14\12----(11/12\11)|
E|-------------------------|---------------(0--0--0-)|{eot}
                                          (To appear...)
{section: Verse 4}
2)same ol' decent lazy eye        fixed  to  rest on
 
 
{section: Middle section}
NICE):
 
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--11--13--13-13/14\11-| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x--x--|
A|-11-11-x-x-9--9--9--x-x-/|-11--9---11--11-11/12\9--|
E|-------------------------|-------------------------|{eot}
{sot}   true.
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--13--13--13-11\9-----| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x-----|
A|-11-11-x-x-9--9--9--x-x-/|-11--11--11--11-9-\7-----|
E|-------------------------|-------------------------|{eot}
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--11--13--13-13/14\11-| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x--x--|
A|-11-11-x-x-9--9--9--x-x-/|-11--9---11--11-11/12\9--|
E|-------------------------|-------------------------|{eot}
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13-13-13-11\9-----------| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x--x--x--x--x-----------|{eot}
A|-11-11-x-x-9--9--9--x-x-/|-11-11-11-9-\7-(11/12\11)|
{sot}E|-------------------------|---------------(0--0--0-)|{eot}
                                              Every-
 
 
 
 
 * Solo 3 played over the next 8 measures
 
 
{section: Solo 3}
(Sorry haven't worked out or confirmed yet - when I don't know the solos, I just play the
 
{section: Riff 1a}
c's using full chords and it sounds awesome, though doesn't match cd. Try it out)
 
 
 
{section: Middle section}
ANGRY THEN SWEET):
 
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
e|-------------------------|-------------------------|
B|------(0)---------(0)----|------(0)---(0)---(0)----| (x4)
G|-------1-----------1-----|-------1-----1-----1-----|
D|-------2-----------2-----|-------2-----2-----2-----|
A|-2-2-2-2-----2-2-2-2-----|-2-2-2-2-2-2-2-2-2-2-----|
E|-0-0-0-------0-0-0-------|-0-0-0---0-0---0-0-------|{eot}
1) shine!!!                              Lost  and
2) loaded!!                              Still the
3) same ol' decent lazy eye    straight  thru  your
4) gaze!!!!       That's why I said that I have to re-
 
 
2)                                          It's the...
 
1)room,    the sun, and the sk-y-y--y.      It's the
2)room,    the sun, and the sky-----y.{eot}
 
SPACEY INTERLUDE SECTION: (Adlib solos over repeated sets of Riff 1a, 1b, and 2)
 
 
Solo 4 here, played over:
 
Background 1:
 
Or
 
Background 2:
{sot}E|-0--0--0--0--0--0--0--0--|-7--7--7--0-----0--0--0--| (x2) - Bass Riff{eot}
 
{section: Solo 4}
{sot}(Alt. for phaser solo)
D|-------------------------|-------------------------|
A|-14-14-14-14-14-14-14-14-|-14-14-12-14-12-11-9--11-|
E|-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|{eot}
 
{sot}G|-------------------------|-------------------------|
D|-------9----------9h11---|-------------------------|
A|-9-h11---11-9-h11------11|-------------------------|
E|-0--0----0--0--0-------0-|-12-12-10-7--------------|{eot}
 
then...
 
into...
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
e|-------------------------|-------------------------|
B|------(9)---------(9)----|------(9)---(9)---(9)----| (E, reg/open, can be used here too)
G|-------9-----------9-----|-------9-----9-----9-----|
D|-x-x-x-x-----x-x-x-x-----|-x-x-x-x-x-x-x-x-x-x-----|
A|-7-7-7-7-----7-7-7-7-----|-7-7-7-7-7-7-7-7-7-7-----|
E|-x-x-x-------x-x-x-------|-x-x-x---x-x---x-x-------|{eot}
 
then back to...
 
{section: Outro}
(Back to familiarity to finish up...)
 
 
2)waiting for this moment...
3)
 
 
This song is addicting, be careful/enjoy!
-C.Hall (6/25/09)

Source: Songsterr · Rights holder? Request removal.

Arrangement source for Lazy Eye Acoustic by Silversun Pickups

{tuning: Standard (EADGBE)}
{sot}+-------+------------------+------------------+{eot}
| Chord | Full (Roots)     | Play Suggestions |
{sot}+-------+------------------+------------------+{eot}
| G#m/E | 0-11--x-13-12-11 | 0-11--x-13(12)-x |
{sot}| F#m/E | 0--9--x-11-10--9 | 0--9--x-11(10)-x |{eot}
{sot}| Am/E  | 0-12--x-14-13-12 | 0-12--x-14(13)-x |
| C#m   | 9-11-11--9--9--9 | 9-11-11-(9--9)-x |
| B     | 7--9--9--8--7--7 | 7--9--9-(8--8)-x |{eot}
{sot}| G#?   | ???              | x-11--x--9--x--x |
| E     | 0--2--2--1--0--0 | 0--2--2--1-(0)-x |
| E2    | x--7--x--9--9--7 | x--7--x--9-(9)-x |
+-------+------------------+------------------+{eot}

There are no versions with lyrics, chords, or even in song context (references to sections),
so I'm attempting to provide that, while also adding a fuller version that sounds great if
playing solo on acoustic. The real version is played mostly on only the bottom 2 strings
(E and A). That sounds awesome, but this is an alternative style that I've started using
because it sounds the same, but way better when playing without the bass, drums, electric
effects, and smoking hot chick (err...gay-sounding dude) singing it. It is also hopefully a
more knowledgable version where after seeing the root chords, you can decide whether to
add/remove the 5ths and 7ths yourself.

Main Riffs:

Riff 1 is the same with a different F#m/E at start of 2nd measure.
The Am/E  Am  is the quick slide or bend to the A note (if playing only 2 strings) or shown
here as a slide to Am.

{section: Riff 1a}
|----(1a)----|
{sot} | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
   [Abm] [E]                     [F#m] [E]       [Abm] [E]  [Am]
e|---------(*)----------*--|---------(*)------------*|
B|(12)--------(12)---------|(10----10-10-12-12/13\12)|{eot}
G|-13(13-13-13)13(13-13-13)|-11----11-11-13-13/14\13-|
{sot}D|-x--x--x--x--x--x--x--x--|-x-----x--x--x--x--x--x--|{eot}
A|-11-11-11-11-11-11-11-11-|-9-----9--9--11-11/12\11*|
{sot}E|-0--0--0--0--0--0--0--0--|-0-----0--0--0--0-----0-0|{eot}

{section: Riff 1b}
{sot}|----(1b)----|
   [Abm] [E]                     [F#m] [E]       [Abm] [E]  [Am]
e|---------(*)----------*--|------------------------*|
B|(12)--------(12)---------|---------(12-12-12/13\12)|{eot}
G|-13(13-13-13)13(13-13-13)|(11\9-/11)13-13-13/14\13-|
{sot}D|-x--x--x--x--x--x--x--x--|-x--x--x--x--x--x--x--x--|{eot}
A|-11-11-11-11-11-11-11-11-|-9-\7-/9--11-11-11/12\11*|
{sot}E|-0--0--0--0--0--0--0--0--|-0--------0--0--0-----0-0|{eot}

{section: Riff 1c}
{sot}|----(1c)----|
   [Abm] [E]                     [F#m] [E]       [Abm] [E]  [Am]
e|---------(*)----------*--|------------------------*|
B|(12)--------(12)---------|------------(12-12/13\12)|{eot}
G|-13(13-13-13)13(13-13-13)|---------(13)13-13/14\13-|
{sot}D|-x--x--x--x--x--x--x--x--|-9-h11p9--x--x--x--x--x--|{eot}
A|-11-11-11-11-11-11-11-11-|(9)-------11-11-11/12\11*|
{sot}E|-0--0--0--0--0--0--0--0--|(0)-------0--0--0-----0-0|{eot}

{section: Riff 2}
(varies in use, but this demonstrates the regular approach)
{sot} | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
   [C#m]                       [B]
e|---------(*)----------*--|---------(*)----------*--|
B|(9~)--------(9)----------|(7~)--------(7)----------|{eot}
{sot}G|-9~----------9-----------|-8~----------8-----------|
D|-11(11-11-11)11(11-11-11)\-9-(9--9--9)-9-(9--9--9)-|
A|-11-11-11-11-11-11-11-11-\-9--9--9--9--9--9--9--9--|
E|-9--9--9--9--9--9--9--9--\-7--7--7--7--7--7--7--7--|{eot}

{sot}[Bass]
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
E|-0--0--0--0--0--0--0--0--|-7--7--7--0-----0--0--0--|{eot}

Okay, now let's attack the song...

{section: Intro}
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
 |[Abm]/[E]                    |[F#m]/E(1a)    [Abm]/[E]  [Am]   | (x3) - w/ Riff 1a
 |[Abm]/[E]                    |[F#m]/E(1b)    [Abm]/[E]  [Am]   | (x1) - w/ Riff 1b
 |C#m                      |B                        | (x1) - w/ Riff 2
 |[Abm]/[E]                    |[F#m]/E(1c)    [Abm]/[E]  [Am]   | (x4) - w/ Riff 1c
4)                                        I've been...

{section: Verse 1}
 |[Abm]/[E]                    |[F#m]/E(1a)    [Abm]/[E]  [Am]   | (x1) - w/ Riff 1a
  waiting...                               I've been
 |[Abm]/[E]                    |[F#m]/E(1b)    [Abm]/[E]  [Am]   | (x1) - w/ Riff 1b
  waiting for this moment   all...       my...

 |C#m                      |B                        | (x1) - w/ Riff 2
  life...                         but it's not quite

 |[Abm]/[E]                    |[F#m]/E(1c)    [Abm]/[E]  [Am]   | (x2) - w/ Riff 1c
1)right.
2)                                         And this...

{section: Verse 2}
1)[Abm]"rea[E]l"...                 [F#m]    [E(1b)]         [Abm]    [E]it'[Am]s im-
2)-possible, if possible    at who's     blind...

  [C#m]word...                   [B]     so clear  but so un-(heard)

{section: Start solo 1}
1 (over this pass and a half)
1)[Abm]-hea[E]rd.                   [F#m]                       [E]                                [Abm]                                    [E]                                       [Am]
2)

{section: Solo 1}
{sot}Part 1
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-14--14-12---------------|
A|-------------------------|----------14p12h14p12\11-|
E|-------------------------|-------------------------|{eot}

{sot}e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------9-----------9-----|-------------------------|
A|-9-h11---11--9-h11---11--|-------------------------|
E|-------------------------|-10/12\10-7--------------|{eot}

Then...

{section: Play solo 1}
2 (over these 4 measures)
  [Abm] [E]                     [F#m] [E(1a)]    [Abm] [E]  [Am]
  [Abm]    [E]                      [F#m]    [E(1b)]         [Abm]  I'[E]ve [Am]been...

{section: Solo 1}
{sot}Part 2
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-11-11--13--13/14-11-----|
D|-14-14-14-14-14-14-14-14-|-------------------------|
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|{eot}

{sot}e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-11-11/13--11/9----------|
D|-14-14-14-14-14-14-14-14-|-------------------------|
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|{eot}
                                         (I've been...)

{section: Verse 3}
1)[Abm]wait[E]ing...                [F#m]    [E(1b)]         [Abm]  I'[E]ve [Am]been
2)waiting for this silence all...          night...

  [C#m]long...                   [B]  it's just a matter of

                           * play Solo 2 here (its short)
  [Abm] tim[E]e.                    [F#m]    [E(1b)]          [Abm] To [E]app[Am]ear...

{section: Solo 2}
{sot}e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-14-14-------------------|
A|-------------------------|------14\12----(11/12\11)|
E|-------------------------|---------------(0--0--0-)|{eot}
                                          (To appear...)
{section: Verse 4}
1)[Abm]sad.[E]..                    [F#m]    [E(1b)]         [Abm]  wi[E]th [Am]this
2)same ol' decent lazy eye        fixed  to  rest on

  [C#m]you...                    [B]     aim free  and so un-(true)

{section: Middle section}
NICE):

{sot}(This is the "dic-[A]-dant-dant, dic-[A]-dic-[A]-dant-dant" part)
   [Ab]        [F#m]             [Abm] [F#m] [Abm]   [Abm] [Am] [F#m]
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--11--13--13-13/14\11-| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x--x--|
A|-11-11-x-x-9--9--9--x-x-/|-11--9---11--11-11/12\9--|
E|-------------------------|-------------------------|{eot}
{sot}   true.
   [Ab]        [F#m]             [Abm]            [F#] [E]
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--13--13--13-11\9-----| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x-----|
A|-11-11-x-x-9--9--9--x-x-/|-11--11--11--11-9-\7-----|
E|-------------------------|-------------------------|{eot}
{sot}   [Ab]        [F#m]             [Abm] [F#m] [Abm]   [Abm] [Am] [F#m]
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--11--13--13-13/14\11-| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x--x--|
A|-11-11-x-x-9--9--9--x-x-/|-11--9---11--11-11/12\9--|
E|-------------------------|-------------------------|{eot}
{sot}   [Ab]        [F#m]             [Abm]      [F#] [E]
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13-13-13-11\9-----------| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x--x--x--x--x-----------|{eot}
A|-11-11-x-x-9--9--9--x-x-/|-11-11-11-9-\7-(11/12\11)|
{sot}E|-------------------------|---------------(0--0--0-)|{eot}
                                              Every-

 -[C#m]one     is     so   int-i-[B]mately          rearanged...

2)[Abm]    [E]                      [F#m]    [E]         [Abm]    [E]Eve[Am]ry-

 -[C#m]one     can     fo-cus    [B]clearly        with such

 * Solo 3 played over the next 8 measures
1)[Abm]shin[E]e.                    [F#m]                        [E(1a)]                                 [Abm]                                     [E]                                        [Am]

  [Abm]    [E]                      [F#m]    [E(1b)]         [Abm]    [E] Ev[Am]ery-(one)

{section: Solo 3}
(Sorry haven't worked out or confirmed yet - when I don't know the solos, I just play the

{section: Riff 1a}
c's using full chords and it sounds awesome, though doesn't match cd. Try it out)

 -[C#m]one     is    so    int-i-[B]mately          re--a--(ranged...)

 -[Abm]rang[E]ed...                 [F#m]                     [E(1a)]                              [Abm]                                  [E]                                     [Am]
  [Abm]    [E]                      [F#m]    [E(1b)]         [Abm]    [E]  E[Am]very-
 -[C#m]one     can     fo-cus    [B]clearly        with such

{section: Middle section}
ANGRY THEN SWEET):

{sot} | [E]                       | [E]                       | ([E2], can be used here too)
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
e|-------------------------|-------------------------|
B|------(0)---------(0)----|------(0)---(0)---(0)----| (x4)
G|-------1-----------1-----|-------1-----1-----1-----|
D|-------2-----------2-----|-------2-----2-----2-----|
A|-2-2-2-2-----2-2-2-2-----|-2-2-2-2-2-2-2-2-2-2-----|
E|-0-0-0-------0-0-0-------|-0-0-0---0-0---0-0-------|{eot}
1) shine!!!                              Lost  and
2) loaded!!                              Still the
3) same ol' decent lazy eye    straight  thru  your
4) gaze!!!!       That's why I said that I have to re-

 -[C#m]late!!!         I said it [B]really, its so fun  to re-

1)[Abm]-lat[E]e!                    [F#m]                        [E]                                 [Abm]                                     [E]                                        [Am]
2)                                          It's the...

{sot}  [Abm] [E]                     [F#m] [E(1b)]    [Abm] [E]  [Am]
1)room,    the sun, and the sk-y-y--y.      It's the
2)room,    the sun, and the sky-----y.{eot}

SPACEY INTERLUDE SECTION: (Adlib solos over repeated sets of Riff 1a, 1b, and 2)

  [C#m]                       [B]

Solo 4 here, played over:

Background 1:
  [Abm] [E]                     [F#m] [E(1a)]    [Abm] [E]  [Am]
  [Abm] [E]                     [F#m] [E(1b)]    [Abm] [E]  [Am]

Or

Background 2:
{sot}E|-0--0--0--0--0--0--0--0--|-7--7--7--0-----0--0--0--| (x2) - Bass Riff{eot}

{section: Solo 4}
{sot}(Alt. for phaser solo)
D|-------------------------|-------------------------|
A|-14-14-14-14-14-14-14-14-|-14-14-12-14-12-11-9--11-|
E|-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|{eot}

{sot}G|-------------------------|-------------------------|
D|-------9----------9h11---|-------------------------|
A|-9-h11---11-9-h11------11|-------------------------|
E|-0--0----0--0--0-------0-|-12-12-10-7--------------|{eot}

then...
  [C#m]                        [B]

into...
{sot}   [E2]                        [E2]
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
e|-------------------------|-------------------------|
B|------(9)---------(9)----|------(9)---(9)---(9)----| (E, reg/open, can be used here too)
G|-------9-----------9-----|-------9-----9-----9-----|
D|-x-x-x-x-----x-x-x-x-----|-x-x-x-x-x-x-x-x-x-x-----|
A|-7-7-7-7-----7-7-7-7-----|-7-7-7-7-7-7-7-7-7-7-----|
E|-x-x-x-------x-x-x-------|-x-x-x---x-x---x-x-------|{eot}

then back to...
  [C#m]                        [B]

{section: Outro}
(Back to familiarity to finish up...)

4)[Abm]    [E]                       [F#m]    [E]        [Abm]  I'[E]ve [Am]been...

1)[Abm]wait[E]ing...                 [F#m]    [E(1a)]        [Abm] I'v[E]e b[Am]een
2)waiting for this moment...
3)

  [Abm] [E]                      [F#m] [E(1b)]   [Abm] [E]  [Am]
  [G#m/E]

This song is addicting, be careful/enjoy!
-C.Hall (6/25/09)

The chord source is shown as supplied because its ChordPro syntax could not be parsed.

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