American Water
Silver JewsVersion1
90
Chords in this song
Strum
D-DU-UDU
In 1984 I was hospitalized for approaching perfection.
Slowly screwing my way across Europe, they had to make a correction.
Broken and smokin' where the infrared deer plunge in the digital snake.
I tell you, they make it so you can't shake hands when they make your hands shake.
I know you like to line dance,
Everythings so democratic and cool,
But baby there's no guidance when random rules.
I know that a lot of what I say has been lifted off of men's room walls.
Maybe I've crossed the wrong rivers and walked down all the wrong halls.
But nothing can change the fact that we used to share a bed
and that's why it scared me so when you turned to me and said:
"Yeah, you look like someone
Yeah you look like someone who up and left me low.
Boy, you look like somene I used to know."
I asked the painter why the roads are colored black.
He said, "Steve, it's because people leave
and no highway will bring them back."
So if you don't want me, I promise not to linger,
But before I go I gotta ask you dear about the tan line on your ring finger.
No one should have two lives,
now you know my middle names are wrong and right.
Honey we've got two lives to give tonight.
SMITH & JONES FOREVER
Are you honest when no one's looking?
Can you summon honey from a telephone?
They sat there with their hooks in the water
and their moustaches caked with airplane food.
O come let us adore them
California overboard
when the sun sets on the ghetto all the broken stuff gets cold.
Smith and Jones forever!
Smith and Jones forever!
Smith and Jones forever together forever and ever.
Together, forever and ever
Build a stage for Autumn's bitch.
They walk the alleys in duct tape shoes.
They see the things they need through the windows of a hatchback
The alleys are the footnotes of the avenues.
o come let us adore them
California overboard
holding up their trousers with extension cords.
Smith and Jones forever!
Smith and Jones forever!
Smith and Jones forever together forever and ever.
Together, forever and ever
I've got two tickets to a midnight execution.
We'll hitchhike our way from Odessa to Houston
and when they turn on the chair
something's added to the air
when they turn on the chair
something's added to the air forever
Smith and Jones forever!
Smith and Jones forever together forever and ever.
Together, forever and ever.
NIGHT SOCIETY
I'm not going to get too deep with this one, it's just riffs and whatnot over this progression:
And you hold the last C. If somebody wants to tab it, go ahead, but I can't really
imagine too many people being pissed that they miss out on playing this one.
FEDERAL DUST
(slide up to , then )
|-------------|-------------|
|-------------|--------2----|
|--------2-4--|----------4--|
|--0-2h4------|--0-2h4------| repeat as necessary
They don't walk, and they don't talk in Malibu.
They don't vote, they don't even smoke
I know you're blue...
I know you're blue...
I know you're blue.
BASS RIFF
They don't cream and they don't dream in Kansas City.
They don't crack, they don't, they never act
I know you're ready...
I know you're ready...
I know you're ready.
SOLO OVER VERSE CHORDS
They don't cry, and they don't die in South Dakota.
They don't match and they don't hatch in South Dakota.
In South Dakota
Here comes the coda:
Not much
water coming over the hill...
Not much
Not much
Not much.
With the verses in this song whenever the Bbm is played there tends to be a
hammering on between a Bbmsus2 and the Bbm. If you know what that means, good. If
you don't, well, it's not really that important.
PEOPLE
The verse Emaj7 in this song is played as this: xxx444
Moments can be monuments to you
If your life is interesting and true.
It's just the same for a man or a girl,
The meaning of the world lies outside thw world.
People love people and they understand
if you wanna renovate your background mind
(a federal woman needs a municipal man)
people gotta synchronize to animal time.
You can't change the feeling
but you can change your feelings about the feeling in a second or two...
Ahhh
(hold )
People always come around.
I'm studying the ceiling on a little afternoon
and when I paint my dining room
B7
Ahhhh
people gonna come around.
I love to see a rainbow from a garden hose
lit up like the blood of a centerfold
I love the city and the city rain,
suburban kids with biblical names.
People ask people to watch their scotch.
People send people up to the moon.
When they return, well there isn't much.
People be careful not to crest too soon.
The drums march along at the clip of an I.V. drip
like sparks from a muffler dragged down the strip.
Ahhh
I really hope you'll come around.
It's sunny and 75. It feels so good to be alive.
come on baby don't stay inside.
Everybody's coming out tonight.
And repeat the verse chords.
BLUE ARRANGEMENTS
UNUSUAL CHORDS:
I see you gracefully swimming with the country club women
in the Greenwood southside society pool.
I love your amethyst eyes and your protestant thighs
you're a shimmering socialite jewel.
From the Carbon Dioxide Riding Academy
to the children's crusade marching through the downtown.
Well I think I'd die see, if you just said hi to me.
When something breaks it makes a beautiful sound.
Sometimes I feel like I'm watching the world
and the world isn't watching me back.
But when I see you, I know I'm in it too.
The waves come in and the waves go back.
The kids in the corner all covered in dirt.
Caught trespassing under the moon.
My father came in from wherever he'd been
and kicked my shit all over the room.
All over the room
All over the room.
The room is dark and heavy with what I want to say.
I see murals in the radio static and on your blue blue jeans.
What would you say if I asked you to run away?
It's been done so many times I hardly know what it means.
I took these blue arrangements and threw them in the sea
when older waves from older caves brought them back to me.
I took these blue arrangements and stored them on a shelf.
With change on the mantle and time in a candle,
in the end a boy raises himself.
WE ARE REAL
UNUSUAL CHORDS:
/: 2x0212
Up the hill past 694, at the stone wall make a left,
and I will see you soon my friend if these old directions still direct.
Oh yeah
If these old directions still direct.
Is the problem that we can't see or is it that the problem is beautiful to me?
The birds of Virginia are flying within you
and like background singers they all come in threes.
And like background singers they all come in threes.
Won't soul music change
now that our souls have turned strange.
Once a day, twice a day...
And when on and off collide
we'll set our souls aside and walk away.
We've been raised on replicas of fake and winding roads
and day after day up on this beautiful stage
we've been playing tambourine for minimum wage
but we are real,
We are real,
I know we are real.
Repair is the dream of the broken thing.
Like a message broadcast on an overpass
all my favorite singers couldn't sing.
All my favorite singers couldn't sing.
My ski vest has buttons like convenience store mirrors
and they help me see,
that everything in this room right now
is a part of me.
is a part of me.
Won't soul music change
now that our souls have turned strange.
Once a day, twice a day...
And when on and off collide
we'll set our souls aside and walk away.
Realizing is how it feels inside when it happens to you.
So I took a shot of sugar like snow dumped into the blood
and children wander off into the ultra-economic
but we are real,
We are real
I know we are real, real, real, real, real, real, real, real, real...
I know we are real.
SEND IN THE CLOUDS
Send in the clouds. Bring down the rain.
Shut all the blinds, turn out the lights:
I feel insane when you get in my bed.
I am the trick my mother played on the world
Seventeen doctors couldn't decide
whether I should be allowed in the game.
Why can't monsters get along with other monsters?
Soi disantra, soi disantra, soi disantra.
I know a puppy who walked form Kentucky.
Made to East Virginia by dawn.
He had seventeen ideas in his head.
Windex tears flow down the robot's face. He never felt a mother's embrace.
My momma named me after a king.
I'm gonna bury my name in you.
Why can't monsters get along with other monsters?
Soi disantra, soi disantra...
they don't wanta.
(, )
Why can't monsters get along with other monsters?
Soi disantra, soi disantra, ohh
Soi disantra, soi disantra, whoa!
Repeat.
LIKE LIKE THE THE THE DEATH
Like like the the the death
Air crickets air crickets air crickets air crickets air
Mother and child with magazine
Into a story, into a dream
Why is there something instead of nothing
And how is the asking built into the hunting?
Do you believe in MGM endings?
Everybody's coming back to Christmas for Texas
Folks who've watched their mother kill an animal know
That their home is surrounded by places to go
(and the west has made a deal with the sun).
My life at home very day:
Drinking Coke in a kitchen with a dog
Who doesn't know his name.
Oh right it could've been anyone
Grass rabbits grass rabbits grass rabbits grass rabbits grass
Nobody cares about a dead hooker
Looking like one, standing for money
Life finds a limit at the edge of our bodies
A stranger begins wherever I see her.
Let's live where the indoors and outdoors meet
All the kids in the commonwealth are free.
Every morning you forgive me, every evening you relive me
And the pattern itself is what you give me
(the morning has cut a deal with the east).
Like like the the the death
Air crickets air crickets air crickets air crickets air
BUCKINGHAM RABBIT
Back then I had a Buckingham rabbit.
I'd been lonely since she found Christ.
Now is the time to depend on the law:
the nights of my professional life.
I was living in a very young city.
Grand piano, great lakes, good-bye.
If you ask me my name, it's high-low-jack in the game.
I can track a single bee to the hive.
Every single game was a blowout.
And the Nascar blurred into porn.
Scenic this, scenic that,
don't fall for the traps
Of the man who was never born.
And so the rent became whiskey,
and then my life became risky:
And so the rent became whiskey (whiskeyyeyey),
shattered dogs on the rocks.
At the back of the bar there's a couch
where the lonely people go and lie.
They talk to the honky tonk psychiatrist
into the wee hours of the night.
The factories on muscle relaxers.
The pine perfume of hilltown floors.
The lover, the thinker, the talker, the singer
won't be lucid for her anymore.
And so the rent became whiskey,
and then my life became risky:
And so the rent became whiskey (whiskeyyeyey),
shattered dogs on the rocks.
SOLO OVER CHORUS CHORDS
When you know how I feel I feel better
When you're 15 you want to look poor.
Do unto others, and run like a mother
I don't want to look poor anymore
Jesus in a runaway shelter,
said "The deaf have pictures of you."
From the digital fountains to the analog mountains,
let the mirrow express the room.
HONK IF YOU'RE LONELY
Radio's on, feeling all right
Cruising the strip on a Saturday night.
I smile and I wave and I hide all my pain
but the sign on my bumper gives me away:
Honk if you're lonely tonight
If you need a friend to get through the night
A toot on your horn, a flash of your brights
Honk if you're lonely tonight.
(verse chords)
I know honky-tonk where we can go.
A booth in the back with the lights way down low.
The jukebox is playing a sad melody
for heart-broken lovers like you and me.
We'll laugh and we'll flirt and we'll dance every dance
and before the night's over we'll take a chance.
The morning will find us with a smile on our face
and we'll be together in a lover's embrace.
Honk if you're lonely tonight
If you need a friend to get through the night
A toot on your horn, a flash of your brights
Honk if you're lonely tonight.
(verse chords)
I know it seems sad to be so damn blue
but there's always the chance that you'll meet someone new.
I know that somewhere waiting for me
is a sad lonely lover with a bumper that reads:
Honk if you're lonely tonight
If you need a friend to get through the night
A toot on your horn, a flash of your brights
Honk if you're lonely tonight.
THE WILD KINDNESS
I wrote a letter to a wildflower
on a classic nitrogen afternoon.
Some power that hardly looked like power
said I'm perfect in an empty room.
Four dogs in the distance
each stands for a kindness.
Bluebirds lodged in an evergreen altar...
I'm gonna shine out in the wild silence
and spurn the sin of giving in.
Oil paintings of x-rated picnics.
Behind the walls of medication I'm free.
Every leaf in a compact mirror
hits a target that we can't see.
Grass grows in the icebox.
The year ends in the next room
It is autumn and my camouflage is dying
instead of time there will be lateness
instead of time there will be lateness
instead of time there will be lateness
and let forever be delayed.
SOLO OVER VERSE AND CHORUS CHORDS
I dyed my hair in a motel void
met the coroner at Dreamgate Frontier
He took may hand said I'll help you boy
ff you really want to disappear
Four dogs in the distance
each stands for a silence.
Bluebirds lodged in an evergreen altar...
I'm gonna shine out in the wild kindness
I'm gonna shine out in the wild kindness
I'm gonna shine out in the wild kindness
and hold the world to its word.
Aaaand finish on a Bm.
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Readable chord sheet for American Water by Silver Jews
[C]In 19[Em]84 I was [F]hospitalized for approaching perfection. [C]
[C]Slowly screwing my [Em]way across Europe,[F] they had to make a correc[C]tion.
[C]Broken and [Em]smokin' where the infrared [F]deer plunge in the digital sn[C]ake.
[C]I tell you, they make it so you [Em]can't shake hands[F] when they make your hands shake. [C]
[Dm]I know you like to[Fmaj7] line dance,
[Dm]Everythings so democratic and [Fmaj7]cool,
[Dm]But baby there's [Fmaj7]no guidance when r[C]andom rules.
[C]I know that a [Em]lot of what I say has been l[F]ifted off of men's room w[C]alls.
[C]Maybe I've c[Em]rossed the wrong rivers and [F]walked down all the wrong halls. [C]
[C]But nothing can [Em]change the fact that we [F]used to share a bed [C]
[C]and that's why it [Em]scared me so when you [F]turned to me and said: [C]
[Dm]"Yeah, you look like[Fmaj7] someone
[Dm]Yeah you look like [Fmaj7]someone who up and left me low.
[Dm]Boy, you look [Fmaj7]like somene I u[C]sed to know."
[C]I asked the [Em]painter why the [F]roads are colored black. [C]
[C]He said, "Steve, it's [Em]because people leave
and no [F]highway will bring them [C]back."
[C]So if you don't [Em]want me, I [F]promise not to ling[C]er,
[C]But before I go I [Em]gotta ask you dear about the [F]tan line on your ring fi[C]nger.
[Dm]No one should have tw[Fmaj7]o lives,
[Dm]now you know my [Fmaj7]middle names are wrong and right.
[Dm]Honey we've got two [Fmaj7]lives to [C]give tonight.
SMITH & JONES FOREVER
[Am]Are you honest[F] when no one's looking?
Can yo[Am]u summon honey from a [F]telephone?
[Am]They sat there with their [F]hooks in the water
[Am]and their moustaches caked with [E]airplane food.
O [Am]come let us adore them
Cali[F]fornia overboard
when the [Am]sun sets on the ghetto all the broken stuff[F] gets cold.
Smith and [G]Jones[Am] forever!
Smith and [G]Jones[Am] forever!
Smith and [G]Jones [Am]forever t[F]ogether f[Am]orever and [F]ever.
To[Am]gether, [F]forever and [Am]ever
[Am]Build a stage[F] for Autumn's bitch.
[Am]They walk the alleys in [F]duct tape shoes.
[Am]They see the things they need through the [F]windows of a hatchback
[Am]The alleys are the footnotes of the a[E]venues.
o [Am]come let us adore them
Cali[F]fornia overboard
[Am]holding up their trousers with e[F]xtension cords.
Smith and [G]Jones[Am] forever!
Smith and [G]Jones[Am] forever!
Smith and [G]Jones [Am]forever t[F]ogether f[Am]orever and [F]ever.
To[Am]gether, [F]forever and [Am]ever
[Am]
[Am]I've got two tickets to a mi[F]dnight execution.
[Am]We'll hitchhike our way from [F]Odessa to Houston
[Am]and when they turn on the c[F]hair
something's added to the [Am]air
when they turn on the [F]chair
something's added to the [G]air [Am]forever
Smith and [G]Jones[Am] forever!
Smith and [G]Jones [Am]forever t[F]ogether f[Am]orever and [F]ever.
To[Am]gether, [F]forever and [Am]ever.
NIGHT SOCIETY
I'm not going to get too deep with this one, it's just riffs and whatnot over this progression:
[C] [D] [Em] [D] [C]
And you hold the last C. If somebody wants to tab it, go ahead, but I can't really
imagine too many people being pissed that they miss out on playing this one.
FEDERAL DUST
(slide up to [A], then [G])
[Bass]
|-------------|-------------|
|-------------|--------2----|
|--------2-4--|----------4--|
|--0-2h4------|--0-2h4------| repeat as necessary
[C#m]They don't [F#]walk[Bbm], and they don't [E]talk in Mali[C#]bu.
[F#]They don't [B]vote, [Ebm]they don't even [A]smoke
I know you're [E]blue...
I know you're [F#]blue...
I know you're [C#m]blue.
BASS RIFF
[C#m]They don't [F#]crea[Bbm]m and they don't [E]dream in Kansas [C#]City.
[F#]They don't [B]crack, they [Ebm]don't, they never [A]act
I know you're ready.[E]..
I know you're ready.[F#]..
I know you're [C#m]ready.
SOLO OVER VERSE CHORDS
[C#m]They don't [F#]cry[Bbm], and they don't [E]die in South Da[C#]kota.
[F#]They don't [B]match and [Ebm]they don't [A]hatch in South D[E]akota.
In South D[F#]akota
Here comes the [C#m]coda:
[C#m]Not m[A]uch
[E]water coming [F#]over the h[A]ill...
Not [F#]much
Not m[A]uch
Not [C#m]much.
With the verses in this song whenever the Bbm is played there tends to be a
hammering on between a Bbmsus2 and the Bbm. If you know what that means, good. If
you don't, well, it's not really that important.
PEOPLE
The verse Emaj7 in this song is played as this: xxx444
[Amaj7]Moments [Emaj7]can be monuments to you
If your life is interesting and true.
It's just the same for a man or a girl,
The meaning of the world lies outside thw world.
People love people and they understand
if you wanna renovate your background mind
(a federal woman needs a municipal man)
people gotta synchronize to animal time.
[E]You can't [B7]change the feeling
but you can [E]change your feelings [B7]about the feeling in a [E]second or two...
Ahhh[B7]
(hold [B7]) [E]
People always come around.
[E]I'm studying the [B7]ceiling on a little a[E]fternoon
and [B7]when I paint my [E]dining room
[B7]
Ahhhh
people gonna come a[E]round.
[Amaj7]I love t[Emaj7]o see a rainbow from a garden hose
lit up like the blood of a centerfold
I love the city and the city rain,
suburban kids with biblical names.
People ask people to watch their scotch.
People send people up to the moon.
When they return, well there isn't much.
People be careful not to crest too soon.
[E]The drums march [B7]along at the clip of an I.V. drip [E]
like [B7]sparks from a muffler dragged [E]down the strip.
Ahhh[B7]
I really hope you'll come [E]around.
[E]It's sunny and [B7]75. It [E]feels so good to [B7]be alive.
[E]come on baby don't [B7]stay inside.
Everybody's coming [E]out tonight.
And repeat the verse chords.
BLUE ARRANGEMENTS
UNUSUAL CHORDS:
[B]I see you gracefully [Bmaj7]swimming with the country club [B7]women
[E]in the Greenwood southside society [C#m]pool. [B]
[A]I love your amethyst eyes and your [E]protestant thighs
you're a [B]shimmering sociali[F#]te jewel.
[B]From the Carbon [Bmaj7]Dioxide Riding [B7]Academy
[E]to the children's c[B]rusade marching through the [C#m]downtow[B]n.
[A]Well I think I'd die see, if you just said [E]hi to me.
When something [B]breaks it makes a beautiful s[F#]ound.
[E]Sometimes I feel like I'm watching the world
and the world isn't watching me back.
But when I see you, I know I'm in it too.
The waves come [B]in and the waves go back.
[E]The kids in the corner all covered in dirt.
Caught trespassing under the moon.
My father came in from wherever he'd been
and kicked my [B]shit all over the room.
All over the [A]room
All over the [E]room.
[B] [Ebm] [A] [Am] [E]
The [E]room is dark and heavy with [Ebm]what I want to say.
I see [A]murals in the radio static and on your [E]blue blue jeans.
[B]What would you say if I asked you to run [Ebm]away?
It's been [A]done so many times I hardly [E]know what it means.
I [E]took these blue arrangements and [Ebm]threw them in the sea
when [A]older waves from older caves [E]brought them back to me.
I [B]took these blue arrangements and [Ebm]stored them on a shelf.
With [A]change on the mantle and time in a candle,
in the end a [E]boy raises himself.
WE ARE REAL
UNUSUAL CHORDS:
[F#]/[D7]: 2x0212
[C]Up the hill past [G]694, at the [C]stone wall make a [F]left,
and [C]I will see you [G]soon my friend if these [F]old direction[G]s still [C]direct.
Oh y[G]eah
If these [F]old directions[G] still [C]direct.
[C]Is the problem that we [G]can't see or [C]is it that the problem is [F]beautiful to me?
[C]The birds of Virginia are [G]flying within you
and l[F]ike background [G]singers they [C]all come in threes.
And [F]like background [G]singers they [C]all come in threes.
[Dm]Won't soul music change
[C]now that our souls have turned [C7]strange.
[F]Once a day, [F#]twi[D7]ce a day...
[Dm]And when on and off collide
[C]we'll set our [C7]souls aside and [F]walk away.
[A]We've been raised on replicas of [Dm]fake and winding roads
and [G]day after day up on this beautiful stage
we've been [Em]playing tambourine for minimum wage
but we are [Am]real,
We are [Em]real,
I know we are [Am]real.
[C]Repair is the [G]dream[C] of the broken [F]thing.
Like a [C]message broadcast on an [G]overpass
[F]all my favorite [G]singers couldn't [C]sing.
[F]All my favorite s[G]ingers couldn't [C]sing.
[C]My ski vest has [G]buttons like convenience store m[C]irrors
and they help me [F]see,
that [C]everything in this [G]room right now
[F]is a [G]part of [C]me.
[F]is a [G]part of [C]me.
[Dm]Won't soul music change
[C]now that our souls have turned s[C7]trange.
[F]Once a day, [F#]twi[D7]ce a day...
[Dm]And when on and off collide
[C]we'll set our [C7]souls aside and [F]walk away.
[A]Realizing is how it feels [Dm]inside when it happens to you.
So I [G]took a shot of sugar like snow dumped into the blood
and [Em]children wander off into the ultra-economic
but we are real, [Am]
We are [Em]real
I know we are [Am]real, real, real, real, real, real, real, real, [Em]real...
I know we are [Am]real.
SEND IN THE CLOUDS
Send in the [Em]clouds. Bring down the [G]rain.
Shut all the [D]blinds, turn out the [C]lights:
I feel in[G]sane when you [D]get in my [C]bed.
I am the [Em]trick my mother played on the [G]world
Seventeen [D]doctors couldn't [C]decide
whether [G]I should be [D]allowed in the [C]game.
[Cadd9] [C] [Amsus4] [Am]
[Fmaj7]Why can't monsters get [C]along with other [D]monsters?
Soi di[A]santra, soi di[E]santra, soi di[A]santra.
I know a [Em]puppy who walked form [G]Kentucky.
Made to [D]East Virginia by [C]dawn.
He had s[G]eventeen i[D]deas in his [C]head.
[Em]Windex tears flow down the robot's face[G]. He never felt a mother's embrace.
My momma [D]named me after a [C]king.
I'm gonna [G]bury my [D]name in [C]you.
[Cadd9] [C] [Amsus4] [Am]
[Fmaj7]Why can't monsters get [C]along with other [D]monsters?
Soi di[A]santra, soi dis[E]antra...
they don't [A]wanta.
[C] ([C], [C#]) [D] [A]
Why can't monsters get along with other monsters?
[Fmaj7]Soi disantra, soi [D]disantra, o[A]hh
[Fmaj7]Soi disantra, soi [D]disantra, [A]whoa!
Repeat.
LIKE LIKE THE THE THE DEATH
[Bm]Like like [Em]the the the death
[G]Air crickets air crickets [Cmaj7]air crickets air crickets air
Mother and child [Fmaj7]with maga[G]zine
Into a story, [Fmaj7]into a [C]dream
Why is there something [Fmaj7]instead of [G]nothing
And how is the asking built [Fmaj7]into the [C]hunting?
[G]Do you be[Am]lieve in MGM [C]endings?
[G]Everybody's coming [Am]back to Christmas for [C]Texas
[G]Folks who've watched their mother [Am]kill an animal know
That their [C]home is surrounded by places to go
[G](and the west has [Am]made a deal with the [C]sun).
[Bm]My life at [Em]home very day:
Drinking [G]Coke in a kitchen with a [Cmaj7]dog
Who doesn't know his name.
[Bm]Oh right it c[Em]ould've been anyone
[G]Grass rabbits grass rabbits [Cmaj7]grass rabbits grass rabbits grass
Nobody cares [Fmaj7]about a dead[G] hooker
Looking like one, [Fmaj7]standing for [C]money
Life finds a limit at the [Fmaj7]edge of our [G]bodies
A stranger begins [Fmaj7]wherever I [C]see her.
[G]Let's live where the [Am]indoors and outdoors [C]meet
[G]All the kids in the [Am]commonwealth are [C]free.
[G]Every morning you for[Am]give me, every evening you re[C]live me
And the pattern itself is what you give me
[G](the morning has [Am]cut a deal with the [C]east).
[Bm]Like like [Em]the the the death
[G]Air crickets air crickets [Cmaj7]air crickets air crickets air
BUCKINGHAM RABBIT
[G]Back then I had a B[F]uckingham [Em]rabbit.
I'd been lonely since she found Christ.
Now is the time to depend on the law:
the [D]nights of my professional [Em]life.
[G]I was living in a [F]very young [Em]city.
Grand piano, great lakes, good-bye.
If you ask me my name, it's high-low-jack in the game.
I can [D]track a single bee to the [Em]hive.
Every [G]single [F]game was a [Em]blowout.
And the Nascar blurred into porn.
Scenic this, scenic that,
don't fall for the traps
Of the [D]man who was never [Em]born.
[Fmaj7]And so the rent became [Am]whiskey,
[Fmaj7]and then my life became r[Am]isky:
[Fmaj7]And so the rent became w[Am]hiskey (whiskeyyeyey),
[Fmaj7]shattered dogs on the [Am]rocks.
[G]At the back of the [F]bar there's a [Em]couch
where the lonely people go and lie.
They talk to the honky tonk psychiatrist
into the [D]wee hours of the [Em]night.
[G]The factories on [F]muscle r[Em]elaxers.
The pine perfume of hilltown floors.
The lover, the thinker, the talker, the singer
won't be [D]lucid for her [Em]anymore.
[Fmaj7]And so the rent became [Am]whiskey,
[Fmaj7]and then my life became r[Am]isky:
[Fmaj7]And so the rent became [Am]whiskey (whiskeyyeyey),
[Fmaj7]shattered dogs on the r[Am]ocks.
SOLO OVER CHORUS CHORDS
[G]When you know how I [F]feel I feel [Em]better
When you're 15 you want to look poor.
Do unto others, and run like a mother
I don't [D]want to look poor [Em]anymore
[G]Jesus in a [F]runaway [Em]shelter,
said "The deaf have pictures of you."
From the digital fountains to the analog mountains,
let the [D]mirrow express the [Em]room.
HONK IF YOU'RE LONELY
[D]Radio's on, feeling all right
[E]Cruising the strip on a Saturday night.
[G]I smile and I wave and I hide all my pain
but the sign on my bumper [D]gives me away:
[G]Honk if you're [A]lonely [D]tonight
[G]If you need a friend to [D]get through the night
[G]A toot on your horn, a [D]flash of your brights
[G]Honk if you're [A]lonely [D]tonight.
(verse chords)
I know honky-tonk where we can go.
A booth in the back with the lights way down low.
The jukebox is playing a sad melody
for heart-broken lovers like you and me.
We'll laugh and we'll flirt and we'll dance every dance
and before the night's over we'll take a chance.
The morning will find us with a smile on our face
and we'll be together in a lover's embrace.
[G]Honk if you're [A]lonely [D]tonight
[G]If you need a friend to [D]get through the night
[G]A toot on your horn, a [D]flash of your brights
[G]Honk if you're l[A]onely [D]tonight.
(verse chords)
I know it seems sad to be so damn blue
but there's always the chance that you'll meet someone new.
I know that somewhere waiting for me
is a sad lonely lover with a bumper that reads:
[G]Honk if you're[A] lonely [D]tonight
[G]If you need a friend to [D]get through the night
[G]A toot on your horn, a [D]flash of your brights
[G]Honk if you're [A]lonely [D]tonight.
THE WILD KINDNESS
[Em] [C] [C] [Em]
[Em]I wrote a letter to a [C]wildflower
[C]on a classic nitrogen [Em]afternoon.
[Em]Some power that hardly [C]looked like power
[C]said I'm perfect in an empty [G]room.
Four dogs in the d[D]istance
each stands for a k[Am]indness.
Bluebirds lodged in an [C]evergreen altar...
I'm gonna [G]shine out in the[D] wild [Am]silence
and spurn the [C]sin of giving in.
[Em]Oil paintings of [C]x-rated picnics.
[C]Behind the walls of medication I'm [Em]free.
[Em]Every leaf in a [C]compact mirror
[C]hits a target that we can't [G]see.
Grass grows in the [D]icebox.
The year ends in the next [Am]room
It is autumn and my c[C]amouflage is dying
instead of[G] time there [D]will be l[Am]ateness
instead of t[G]ime there [D]will be l[Am]ateness
instead of [G]time there [D]will be [Am]lateness
and let [C]forever be delayed.
SOLO OVER VERSE AND CHORUS CHORDS
[Em]I dyed my hair in a [C]motel void
[C]met the coroner at Dreamgate F[Em]rontier
[Em]He took may hand said I'll h[C]elp you boy
[C]ff you really want to d[G]isappear
Four dogs in the d[D]istance
each stands for a [Am]silence.
Bluebirds lodged in an e[C]vergreen altar...
I'm gonna s[G]hine out in the [D]wild [Am]kindness
I'm gonna [G]shine out in the [D]wild [Am]kindness
I'm gonna [G]shine out in the w[D]ild k[Am]indness
and hold the [C]world to its word.
Aaaand finish on a Bm.