Be Near
Shane And ShaneVersions1TuningE B G D A E
TuningE B G D A E Download
90
Chords in this song
Strum
D-DU-UDU
piano, ac. fingerpicked, and cello: (2) (2) (2x) G (2 fr.) (2) (4)
(piano carries; solo male vox.. Ac. Strums every chord change)
You are all, big and small, beautiful, and wonderful
to trust in grace through faith, but i'm asking to taste...
(duet male vox)
for dark is light to You, depths are height to You
far is near, but Lord, i need to hear from You
(duet vox throughout; add bass; strings; percussion)
be near, oh God, be near, oh God of us
Your nearness is to us our good,
be near, oh God, be near, oh God of us,
Your nearness is to us our good, our good
(band in)(duet male vox)
Your fullness is mine, (echo) revelation divine, (echo)
but, o, to taste, to know much more than a page to feel Your embrace...
subtle kicks)
8 count stop rest at end)
Very quiet; just acoustic and piano to end of 2nd line; band back big on
near of 3rd line) (lead
vocalist discretion leads us back in to closing INTRO FIGURE with my good)
cello line)
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Plain-text tab for Be Near by Shane And Shane
{tuning: Standard (EADGBE)}
{section: Intro}
piano, ac. fingerpicked, and cello: [Bm](2) [A/B](2) (2x) G (2 fr.) [D/F#](2) [G6](4)
{section: Verse 1}
(piano carries; solo male vox.. Ac. Strums every chord change)
[Bm]You are [G2]all, big and [Bm]small, beautif[Gmaj7]ul, [Bm] and wonderf[Gmaj7]ul
to trust in grace through f[Bm]aith, but i'm asking to ta[Gmaj7]ste...
{section: Prechorus}
(duet male vox)
[Em7]for dark is light to [D/F#]You, depths are height to Y[G2]ou
far is near, but L[A]ord, i need to hear from You
{section: Chorus}
(duet vox throughout; add bass; strings; percussion)
be [D]near, oh G[A/C#]od, be n[Bm]ear, oh G[D/A]od of us
Your n[G]earness i[D/F#]s to us our [A]good,
be [D]near, oh G[A/C#]od, be ne[Bm]ar, oh Go[D/A]d of us,
Your n[G]earness [D/F#]is to us our [A]good, our good
{section: Intro}
{section: Verse 2}
(band in)(duet male vox)
Your [Bm]fullness is [G2]mine, (ec[Bm]ho) revelation div[Gmaj7]ine, (ech[Bm]o)
but, o, to t[Gmaj7]aste, to know much more than a [Bm]page to feel Your emb[Gmaj7]race...
{section: Prechorus}
subtle kicks)
{section: Chorus}
8 count stop rest at end)
{section: Chorus}
Very quiet; just acoustic and piano to end of 2nd line; band back big on
near of 3rd line) (lead
vocalist discretion leads us back in to closing INTRO FIGURE with my good)
{section: Intro figure}
cello line)