The Kid With The Replaceable Head

[D]   [B]   [G]   [A]   [E]
E|-5-|-2-|-3-|-5-|-0-|
B|-7-|-4-|-3-|-5-|-0-|
G|-7-|-4-|-4-|-6-|-1-|
D|-7-|-4-|-5-|-7-|-2-|
A|-5-|-2-|-5-|-7-|-2-|
E|-x-|-x-|-3-|-5-|-0-|

T[D]oo young to dr[B]ink and t[G]oo smart to th[A]ink

Att[G]aches on his he[E]ad with the mis[G]sing l[A]ink

He's ski[D]nny as a sn[B]ake and fa[G]st as a m[A]ink

But he ai[G]n't for s[E]ale unless you a[G]dd the kitchen s[A]ink

[Repeat progression for following verses]

Listen to the recording for the rhythm, it's relativley simple.
The chords listed are in barre form: the D and B with the root
on the 5th string and G, A, and E with root on the 6th string,
but different combinations of barre or open chord forms should
work fine if you want to switch them.

Look out, here he comes again
They say he's dead, he's my three best friends
He's so honest that the dishonest dread
Meeting the kid with the replaceable head

  [Bm]   [C]
E|-2-|-3-|
B|-3-|-5-|
G|-4-|-5-|
D|-4-|-5-|
A|-2-|-3-|
E|-x-|-x-|

The rhythm guitar plays a Bm chord at the beginning of each line, while the
lead plays the following line. It isn't perfect by any means, and you can
substitute it with alternate lines from the B Minor Pentatonic if you'd
prefer.

E|--------------------------------------------------------------------------|
B|--------5---s5---5-5-x-3-x-2----------------------------------------------|
G|-----s4-----s4---4-4-x-2-x-2----------------------------------------------|
D|-4-4----------------------------------------------------------------------|
A|-2-2----------------------------------------------------------------------|
E|--------------------------------------------------------------------------|

Mee[D]ting the k[G]id with the repla[A]ceable h[C]ead!

A short intstrumental section follows, which you can improvise over with a
D Major/B Minor Pentatonic scale (they share the same notes, and thus have
the same scale positions on the fretboard). The reason I make this distinction
is because the key changes. Between 0.36 and 0.48, your ear should recognise
the D Major tonality. After 0.48 until the instrumental finishes, you can
hear it shift to B Minor - just be aware of that change so you can resolve
your licks more appropriately.

B[D]op, B[D]op, B[G]op, B[G]op, B[A]op, B[A]op, B[C]op!