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Dead Letter Office

R.E.M.
Version1
90

Chords in this song

Strum
D-DU-UDU
{tuning: Standard (EADGBE)}
{sot} B ----1--------1------------|{eot}
{sot} G ---(2)------(2)-----------|
A -2------3------2------0---|.strum Am{eot}
{play riff}
Listen
{continue with riff}
You're funny and you don't know why
You're funny and you can't even cry
You're funny and you don't know why
You're funny and you don't even try
{ play as before with riff x 4 }
[Unsure of lyrics]
{play as before with riff}
You're hungry and you don't know why
You're hungry and you can't even cry
You're hungry and you don't know why
You're hungry and you don't even cry
{at this point in the song, the riff is altered slightly,
it looks something like this....
{sot} E -- 15 ---|
G ---------0-----0-- -2-1-2-1-----|
A -0-2-3------2----- -------------|{eot}
{"nothing can hurt you ")
{use altered riff}
You take a walk and you try to understand
Nothing can hurt you
Unless you want it to
There are no answers
Many reasons to be strong
You take a walk you take a walk
You take a walk and you try to understand
{go back to opening riff}
[Unsure of lyrics]
{go back to opening riff}
You're in love and you don't know why
You're in love and you can't even cry
You're in love and you don't know why
You're in love and you don't even try
THERE SHE GOES AGAIN
{intro: B / / / B D /// E // A Asus2 X 2}
{chords are like intro}
See her walking down the street
With all your friends she's gonna meet
You'd better hit her
{section: Solo}
{sot} E -0-0-0---0-0-0-------10-10-12-10-|
A -0-0-0---0-0-0-------------------| ... repeat{eot}
basically an ^ basically ^
BURNING DOWN
{chords are like intro}
Burning down - my hands are tied my feet are bound
Burning down - can't you see that my hands are bound
Johnny Mike is reading in the yard
His story's timely, oh oh oh
What river is it anyway, radio
Not in a boat, in your ear
{chords are like intro}
Burning down - my hands are tied my feet are bound
Burning down - can't you see that my hands are bound
He's cooking in the woods, a brush fire in your neck
Feeling mighty mighty, oh oh oh
VOICE OF HAROLD
{sot}"riff"
{sot}..cont G 7--7--7-------------|
{play the riff over and over}
{Break:
{sot} G --------0-----|
Fill D ------4-----4-|
Chord for two measures/Fill twice/Chord for two measures/
then these chords: D/// A/// }
Reverend Bill Funderburk sings "He Cared That Much For Me";
Charles Surratt introduces his own composition "On Calvary For Me";
"The Joy of Knowing Jesus" is a song of pure delight featuring John Barbee;
The pure tenor quality of the voice of Harold Montgomery
gives a special interpretation to the grand old hymn "The Old Rugged Cross";
Chill bumps appear and I am frozen in the web they weave as they reveal their
innermost selves with the outpouring of their hearts...
On and on the songs roll and soon you are caught up
in the sermon in each rendition as you come to feel
the devotion and dedication that is poured forth.
Suddenly, you know they are real, they mean it!
"Let your light so shine..."
could not be more aptly applied
as there shines a light from heaven on your heart
through their singing. As an artist, Rhonda Montgomery
exemplifies piano artistry. That's Rhonda! An artist!
This album can be the instrument to mend a broken heart
or to straighten out your life through the sincere testimony
in the songs of THE REVELAIRES. A must!
J. Elmo Fagg, founder and leader
of the Blue Ridge Quartet
for 23 Years. Temple Records, LST 390
Planning to make a record?
We are associated with United Music World Recording Studios, Inc.,
West Columbia, S.C.. The Finest Sound Available Anywhere
"The Joy of Knowing Jesus",
produced by Joel Gentry
Cover/Backliner Design/REESOR
The Revelaires, A must.
The Revelaires.
A must, in their home.
BURNING HELL
{sot} A ------------ A chord --------------| A chord
E -0-0-h-3-p-0- -0-0-h-3-p-0--|{eot}
{sot} A ------------0-0-2-3-2-0-| B chord
{play riff}
Women got legs, men got pants
I got the picnic, you got the ants
Put it in the fire heaven knows
Take my torch and touch your toes in hell
It's a burning hell
C B { go back to riff}
It's a burning hell
{same as before}
Women don't fret, boys don't bet
Let me see your silhouette in hell
Women above me take my love
Love, love, love, love, love, love, love
{same as before}
It's a burning hell
It's a burning hell
Baby, baby, baby, I'm hell
It's a burning hell
{The break/solo follows the chords: A B C D }
Girl stop moving, boy behave
Baby, I'll put you in an early grave in hell
Love on the ceiling, love on the floor
I'm gonna leave you burning for more
Burn in the country, burn downtown
All the best people are burning down in hell, hell, hell
It's a burning Hell
You'll burn in hell
It's a big, burning, giant, colossal matter
Hell
Oh baby, I'm hell
Burn, Burn, Burn!
WHITE TORNADO
{sot} _____________________
|1st, 3rd, 4th times
e(1) ----------------|----------------|----------------|----------------- ||
B(2) 3-----1-------1-|3-----1-------1-|5-----3---------|5-----3----------:||
G(3) ------------2---|------------2---|----------------|------------4---- ||{eot}
{sot} ________________ repeat sign^^^
|2nd time
e(1) 3-3-2-2-0-0-----|
B(2) ------------3-3-| and on to...
G(3) ----------------|{eot}
{sot}e(1) || /5---8-5-8-5-8-10b|(11)---(11)---8---------------------------------|
B(2) ||:------------------|----------------10-8----------------------------|
G(3) || ------------------|---------------------9-|10b-(11)-10-8-----8-----|
D(4) |----------------7---7---|{eot}
{sot}B(2) ---------------------- ||{eot}
G(3) 10b-(11)-10-8-----8---:||
{sot}D(4) ----------------7---7- ||{eot}
TOYS IN THE ATTIC
WINDOUT
The song begins with what sounds like a middle A note, or part of an
A chord, with feedback. Not playable on clean guitar so must be
a second guitar line.
{section: Riff 1}
The chords here are E for 3 beats
Esus4 for 1 beat
D for 4 beats
This is the "Windout...if you're out of wind" part
{section: Riff2}
Simply a quiet but fast-strummed A for 6 beats
followed by a blast of G, with gusto, for 2 beats.
{sot}"Bridge" bit in the middle
----------------------------------|
From memory I think it ends on a long E chord.
Lyrics:
Windout - if you're out of wind
Windout - if you're really spent
Windout - if you're young and red
Yeah, tick tock, it's tine o'clock
Once is good enough, you really go...
So find out - if you're really spent
Find out - if you're out of wind
Windout - if you're out of sin
Winding up
There's no doubt - that you're feeling fine
No doubt - that you're out of mind
No doubt - that you're young and red
Windout - if you're really spent
Find out - if you're young and red
Windout - if you're out of wind
If you're young and red
Tick tock time to clock my band
Once is good enough, you really go...
Windout, find out, no doubt
Windout, find out, no doubt
Windout, windout, windout
AGES OF YOU
{section: Riff}
{sot}e---0-0---0-0--|
B--2-0-----0---|
G-------2------|
D--------------|{eot}
PALE BLUE EYES (The Velvet Underground)
I thought of you as my mountain top
I thought of you as my peak
I thought of you as just about everything
I had but couldn't keep
I had but couldn't keep
{section: Solo}
{sot}E------8-5-6-5-----------8------------8---------------------8----------8--------|{eot}
B-4sl6---------8-6-8sl10---10--4sl6-6---6-8-6---8-8-10-8-10---6--8sl10--10-8-10-|
{sot}G---------------------------------------------7---------------------------------|{eot}
{sot}E-------1-----|
B---1-3---3---|
G-3-----------|{eot}
ROTARY 10
{sot}e-----5-7----7--7^8^7--------------------------------------------------|
B----5-----------------7-8---7^8^7-------------------------------------|
G---5-------------------------------8^9--------------------------------|
D--7------------------------------------9---5^7^5-5--------------------|
A----------------------------------------------------------------------|
E----------------------------------------------------7-2---------------|{eot}
BANDWAGON
There's lots of room for you on the bandwagon,
Greet us hello, bravo, name in lights
Passing on the word fellow passengers and players, passing in,
Until you're tired looking at all the flags
And all the banners waving
This is some parade, yesiree Bob.
Could we have known?
Yesiree Bob, could we have known?
There's lots of room for you on the bandwagon,
FEMME FATALE
{section: Chorus}
{section: Chorus twice}
WALTERS THEME
The song ends with
an E7 chord...
Fig. 1
{sot}------4-----2--------------4-----2--------------4---|
---5-----5-----4--------5-----5-----4--------5------|
4-----------------4--4-----------------4--4---------|
----------------------------------------------------|
----------------------------------------------------|
----------------------------------------------------|{eot}
{sot}---2-------------------2-------------------|
5-----4-----2--2--2/4-----4----------------|
---------4--2--2--2/4--------4-------------|
-------------------------------------------|
-------------------------------------------|
-------------------------------------------|{eot}
Fig. 2
{sot}-0---0--0--0--0--0--0--0-0--0--0--0--0--------------|
-10--9--7--5--5--5--5--4/5--5--2--0--0--------------|
----------------------------------------------------|
----------------------------------------------------|
----------------------------------------------------|
----------------------------------------------------|{eot}
{sot}-0---0--0--0--0--0--0--0-0--0--0--0--0--0-----------|
-10--9--7--5--5--5--5--4/5--5--0--0--0--0-----------|
----------------------------------------------------|
----------------------------------------------------|
----------------------------------------------------|
----------------------------------------------------|{eot}
Lyrics:
Hey this is David
I've got a hat the size of Oklahoma
Put on my boots and going down to Walter's
Good tasting barbecue
Bring some home to the misses
They'll give you a bag to put it in
This is David, signing off
KING OF THE ROAD (Roger Miller)
Trailers for sale or rent
King of the road
{ somewhere in the course of the whole song they go up a key and
WOLVES, LOWER
Original chords/tab by: ?
Corrections by: the-concourse-on-high
{sot}{riff}
{sot}{riff2}: E ---------0--| playing this note on open E facilitates hitting the{eot}
B --10-9-8----| D chord on time
(e)-3--3--3-3--3--3-3--3--3-3--3--3-|
(b)--3--3----3--3----3--3----3--3---|
(g)4--5--5-4--5--5-4--5--5-4--5--5--|{eot}
{Intro:} Riff (x 2)
{riff}
Suspicion yourself, suspicion yourself, don't get caught.
Suspicion yourself, suspicion yourself, let us out.
Wilder lower wolves. Here's a house to put wolves out the door.
{sot}riff2 "D" riff2 "A" riff2 "D" riff2 "A" E --0---0---0---|
In a corner garden, wilder lower wolves
Down there they're rounding a posse to ride.
{riff}
Suspicion yourself, suspicion yourself, don't get caught.
Suspicion yourself, suspicion yourself, let us out.
Wilder lower wolves. Here's a house to put wolves out the door.
{sot}riff2 "D" riff2 "A" riff2 "D" riff2 "A" E --0---0---0---|
In a corner garden, wilder lower wolves
Down there they're rounding a posse to ride.
{Break:}
(e)77-10- 9--77- 9-7--1212-10- 9--77- 9-7-- etc.
(b)88-10-10--88-10-8--1212-10-10--88-10-8-- etc.
(g)always open, occasionally hit
{* these are the notes, not the strum patterns}
{riff x 2}
{riff}
Suspicion yourself, suspicion yourself, don't get caught.
Suspicion yourself, suspicion yourself, let us out.
Wilder lower wolves. Here's a house to put wolves out the door.
{sot}riff2 "D" riff2 "A" riff2 "D" riff2 "A" E --0---0---0---|
In a corner garden, wilder lower wolves
Down there they're rounding a posse to ride.
{end song on Em7}
Gardening at Night by REM
{sot}e:---------------------|
B:---------------------|
G:---------------------| repeat 3X
D:-----0-0-7-0-9-7-----|
A:---------------------|
E:---------------------|{eot}
{sot}e:----------------------------------------------------|
B:----------------------------------------------------|
G:---7-7-7-7-7-7-7-7-/--------------------------------|
D:---7-7-7-7-7-7-7-7-/--------------------------------|
A:----------------------------------------------------|
E:----------------------------------------------------|{eot}
this part is really just kind of a walk.
{sot}e:---3-3---2-2---0-0---0-0---0-0----------------------|
B:---3-3---3-3---3-3---3-3---1-1----------------------|
G:---2-2---2-2---2-2---2-2---2-2----------------------|
D:---0-0---0-0---0-0---2-2---0-0----------------------|
A:----------------------------------------------------|
E:----------------------------------------------------|{eot}
CARNIVAL OF SORTS (BOX CARS)
A* = Play A/Asus2/Asus4 variations (listen to song to get the feel of it)
{sot}{Opening riff:}
D -----4---4--4-- X 3 then.. D -----4------4---|
{sot}{Chorus riff}:
{Intro}: Opening riff
There's a secret stigma, reaping wheel.
Diminish, a carnival of sorts.
Chronic town, poster torn, reaping wheel.
Stranger, stranger to these parts.
Boxcars (are pulling) out of town
Boxcars (are pulling) out of town
Boxcars (are pulling) out of town
There's a secret stigma, reaping wheel.
Diminish, a carnival of sorts.
Chronic town, poster torn, reaping wheel.
Stranger, stranger to these parts.
Boxcars (are pulling) out of town
Boxcars (are pulling) out of town
Boxcars (are pulling) out of town
{opening riff}
Cages under, cages under, cages under cage
Cages under, cages under, cages under cage
Boxcars (are pulling) out of town
Boxcars (are pulling) out of town
Boxcars (are pulling) out of town
There's a secret stigma, reaping wheel.
Stranger, stranger to these parts.
Chronic town, poster torn, reaping wheel.
Diminish, stranger.
Boxcars (are pulling) out of town
Boxcars (are pulling) out of town
Boxcars (are pulling)
out of town.....
Boxcars (are pulling)
Carnival of sorts
out of town.....
out of town.....
1,000,000
{riff}:
B -4- ---|
G -4- ---|
D -4- -2-|
A -2- -2-|
{alternate between these two chords with feeling}
Secluded in a marker stone
Not only deadlier but smarter too, smarter too
Secluded in a marker stone
Not only deadlier but smarter too, smarter too
Secluded in a marker stone
Not only deadlier but smarter too, smarter too
Secluded in a marker stone
Not only deadlier but smarter too, smarter too
Secluded in a marker stone
Not only deadlier but smarter too, smarter too
{"B"/"E" riff to end}
STUMBLE (Version 1)
{section: Intro}
{harmonics}
{Break: ?}
{drums/random guitar noise}
It was round about midnight. Hipster town.
Imagine going for a walk.
Things get around to taking place. It's not a waste of time.
The rich got a little poorer.
Things get around to taking place. If they're gonna happen at all.
Don't need that jazz. Don't need that stuff.
It was round about midnight. Hipster town.
It was round about midnight. Hipster town.
(BONUS TRACK!!!!) FROM THE I.R.S. RE-ISSUE YEARS!
ALL THE RIGHT FRIENDS
{Intro:} one, two, three... A/// B
I've been so alone now
For a long long, long time
I've been walking alone now
For a long, long time
Rave on!
I've been walking alone now
For a long, long time

Source: Songsterr · Rights holder? Request removal.

Arrangement source for Dead Letter Office by R.E.M.

{tuning: Standard (EADGBE)}
{sot}  B   ----1--------1------------|{eot}
{sot}  G   ---(2)------(2)-----------|
  D   -(0)-----(0)-----2--------|
  A   -2------3------2------0---|.strum Am{eot}

{play riff}
Listen

{continue with riff}
You're funny and you don't know why
You're funny and you can't even cry
You're funny and you don't know why
You're funny and you don't even try

Cause your he[F]ad's shaking cause your ar[C]ms are shaking
And your fe[F]et are shaking cause the ear[D]th is shaking
Cause your he[F]ad's shaking cause your ar[C]ms are shaking
And your fe[F]et are shaking cause the ear[D]th is shaking

{ play as before with riff  x 4 }
[Unsure of lyrics]

{break  like chorus    [F]   [C]   [F]   [D]}

{play as before with riff}
You're hungry and you don't know why
You're hungry and you can't even cry
You're hungry and you don't know why
You're hungry and you don't even cry

Cause your he[F]ad's shaking cause your ar[C]ms are shaking
And your fe[F]et are shaking cause the ear[D]th is shaking
Cause your he[F]ad's shaking cause your ar[C]ms are shaking
And your fe[F]et are shaking cause the ear[D]th is shaking

  {at this point in the song, the riff is altered slightly,
   it looks something like this....

{sot}                             E  -- 15 ---|
                             B  -- 15 ---|
 G  ---------0-----0--      -2-1-2-1-----|
 D  -------2----------  Am  -------------|   G   G
 A  -0-2-3------2-----      -------------|{eot}
                        {"nothing   can hurt      you ")

{use altered riff}
You take a walk and you try to understand
Nothing can hurt you
Unless you want it to
There are no answers
Many reasons to be strong
You take a walk you take a walk
You take a walk and you try to understand

{break  like chorus    F   C   F   D  x 2}

{go back to opening riff}
[Unsure of lyrics]

Cause your he[F]ad's shaking cause your ar[C]ms are shaking
And your fe[F]et are shaking cause the ear[D]th is shaking
Cause your he[F]ad's shaking cause your ar[C]ms are shaking
And your fe[F]et are shaking cause the ear[D]th is shaking

{go back to opening riff}
You're in love and you don't know why
You're in love and you can't even cry
You're in love and you don't know why
You're in love and you don't even try

THERE SHE GOES AGAIN

 {intro:   B / / /   B D ///   E //   A Asus2   X 2}

There she go[A]es again       [D]
She's out on the str[A]eet again [D]
She's down on her kn[A]ees my friend   [D]
Won't have to ask her pleas[A]e again    [D]

L[Bm]ook a little closer there's no t[Dsus2]ears in her eyes
You kn[Bm]ow she won't make it with j[Dsus2]ust any guy    [E]
What can you d[A]o    [Asus2]

{chords are like intro}
See her walking down the street
With all your friends she's gonna meet
You'd better hit her

{section: Solo}
{sot} E  -0-0-0---0-0-0-------10-10-12-10-|
 B  -5-5-5---5-7-5-------10-10-10-12-|
 G  -6-6-6---6-6-6-------11-11-11-11-|
 D  -7-7-7---7-7-7--------0--0--0--0-|
 A  -0-0-0---0-0-0-------------------|   ... repeat{eot}
basically an  ^       basically  ^
  [A]  chord    ^       [A] [D] chord  ^

BURNING DOWN

{intro:  [A] [Asus2]  [A]  [Asus2] X 4}

F[A]rom the back of my neck, oh o[Bm]h oh
W[A]ired a glass jaw, oh[Bm] oh
P[A]lantation burning your boat is coming in[Bm]
S[A]trum your jew's-harp, you're reeking g[Bm]in

R[E]unning water in a sin[F#m]king boat
G[E]oing under but they'v[F#]e got your go[E]at

{chords are like intro}
Burning down - my hands are tied my feet are bound
Burning down - can't you see that my hands are bound

Johnny Mike is reading in the yard
His story's timely, oh oh oh
What river is it anyway, radio
Not in a boat, in your ear

Y[Bm]ou pick your island in the s[C#m]un
T[Bm]ake your island off he's[C#] got a gu[E]n

{chords are like intro}
Burning down - my hands are tied my feet are bound
Burning down - can't you see that my hands are bound

He's cooking in the woods, a brush fire in your neck
Feeling mighty mighty, oh oh oh
Y[Bm]ou can pick your island in the [C#m]sun
T[Bm]ake your island off he's[C#] got a gu[E]n

VOICE OF HAROLD

{sot}"riff"
 G  11-11-11-12----14----16-16-16-16---14--------11-11-11-12----11-9--7-|
 D  0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0-|{eot}

{sot}..cont   G  7--7--7-------------|
        D  0--0--0--0--0--0--0--|{eot}

{play the riff over and over}

 [C9]                            [D9]                [D] [Dsus4] [D] [D] [D]    x 3

{Break:

Chord: [Bsus2]  x24400

{sot}        G   --------0-----|
Fill    D   ------4-----4-|
        A   --2-2---------|{eot}

Chord for two measures/Fill twice/Chord for two measures/
then these chords:  D/// A/// }

Reverend Bill Funderburk sings "He Cared That Much For Me";
Charles Surratt introduces his own composition "On Calvary For Me";
"The Joy of Knowing Jesus" is a song of pure delight featuring John Barbee;

The pure tenor quality of the voice of Harold Montgomery
gives a special interpretation to the grand old hymn "The Old Rugged Cross";
Chill bumps appear and I am frozen in the web they weave as they reveal their
innermost selves with the outpouring of their hearts...

On and on the songs roll and soon you are caught up
in the sermon in each rendition as you come to feel
the devotion and dedication that is poured forth.
Suddenly, you know they are real, they mean it!

"Let your light so shine..."
could not be more aptly applied
as there shines a light from heaven on your heart
through their singing.  As an artist, Rhonda Montgomery
exemplifies piano artistry.  That's Rhonda!  An artist!

This album can be the instrument to mend a broken heart
or to straighten out your life through the sincere testimony
in the songs of THE REVELAIRES.  A must!

J. Elmo Fagg, founder and leader
of the Blue Ridge Quartet
for 23 Years.  Temple Records, LST 390
Planning to make a record?
We are associated with United Music World Recording Studios, Inc.,
West Columbia, S.C..  The Finest Sound Available Anywhere

"The Joy of Knowing Jesus",
produced by Joel Gentry
Cover/Backliner Design/REESOR

The Revelaires, A must.
The Revelaires.
A must, in their home.

BURNING HELL

{sot} A  ------------   A chord  --------------|    A chord
 E  -0-0-h-3-p-0-           -0-0-h-3-p-0--|{eot}

{sot} A  ------------0-0-2-3-2-0-|  B chord
 E  -0-0-h-3-p-0------------|{eot}

{play riff}
Women got legs, men got pants
I got the picnic, you got the ants
Put it in the fire heaven knows
Take my torch and touch your toes in hell
It's a burning hell

[C]You can [B]burn in [A]Hell
[C]It's a b[B]urning [A]hell
[C]You can bur[B]n in he[A]ll
C        B       { go back to riff}
It's a burning hell

{same as before}
Women don't fret, boys don't bet
Let me see your silhouette in hell
Women above me take my love
Love, love, love, love, love, love, love

{same as before}
It's a burning hell
It's a burning hell
Baby, baby, baby, I'm hell
It's a burning hell

{The break/solo follows the chords:  A   B   C  D }

Girl stop moving, boy behave
Baby, I'll put you in an early grave in hell
Love on the ceiling, love on the floor
I'm gonna leave you burning for more
Burn in the country, burn downtown
All the best people are burning down in hell, hell, hell

It's a burning Hell
You'll burn in hell
It's a big, burning, giant, colossal matter
Hell
Oh baby, I'm hell

Burn, Burn, Burn!

WHITE TORNADO

{sot}                                                       _____________________
                                                       |1st, 3rd, 4th times
e(1) ----------------|----------------|----------------|----------------- ||
B(2) 3-----1-------1-|3-----1-------1-|5-----3---------|5-----3----------:||
G(3) ------------2---|------------2---|----------------|------------4---- ||{eot}
{sot}     ________________                                         repeat sign^^^
     |2nd time
e(1) 3-3-2-2-0-0-----|
B(2) ------------3-3-|   and on to...
G(3) ----------------|{eot}

{sot}e(1) || /5---8-5-8-5-8-10b|(11)---(11)---8---------------------------------|
B(2) ||:------------------|----------------10-8----------------------------|
G(3) || ------------------|---------------------9-|10b-(11)-10-8-----8-----|
                                             D(4) |----------------7---7---|{eot}

{sot}B(2) ---------------------- ||{eot}
G(3) 10b-(11)-10-8-----8---:||
{sot}D(4) ----------------7---7- ||{eot}

TOYS IN THE ATTIC

[A]Light v[A]oi[E]ces sc[D]ream n[D]oth[A]ing s[G]eems r[D]eal's [A]a dr[B]eam
[E]Leaving the things that you le[A]arned beh[E]ind
[E]Leaving the things that you l[A]ove beh[E]ind
[E]All of the things that you le[A]arned were r[E]eal
[E]Nothing except for the y[A]ears
[A]Voic[E]es sc[D]ream, no[D]th[A]ing s[G]eems r[D]eal's [A]a dr[B]eam
[E]Toys t[E]oys to[E]ys [D]in the [A]attic

[A]Light v[A]oi[E]ces sc[D]ream n[D]oth[A]ing s[G]eems r[D]eal's [A]a dr[B]eam
[E]Leaving the things that you l[A]ove beh[E]ind
[E]Leaving the things that you le[A]arned beh[E]ind
[E]All of the things that you le[A]arned were r[E]eal
[E]Nothing except for the y[A]ears
[A]Voic[E]es sc[D]ream, no[D]th[A]ing s[G]eems r[D]eal's [A]a dr[B]eam
[E]Toys t[E]oys to[E]ys [D]in the [A]attic

WINDOUT

The song begins with what sounds like a middle A note, or part of an
A chord, with feedback. Not playable on clean guitar so must be
a second guitar line.

{section: Riff 1}
The chords here are     E       for 3 beats
                        Esus4   for 1 beat
                        D       for 4 beats


This is the "Windout...if you're out of wind" part

{section: Riff2}
Simply a quiet but fast-strummed A for 6 beats
followed by a blast of G, with gusto, for 2 beats.

{sot}"Bridge" bit in the middle
----------------------------------|
[E]-0-2-3-2-0-2-3-2-0-2-3-2-0-2-3-2-|{eot}
[B][G][D][A][E]

From memory I think it ends on a long E chord.

Lyrics:

Windout - if you're out of wind
Windout - if you're really spent
Windout - if you're young and red

Yeah, tick tock, it's tine o'clock
Once is good enough, you really go...

So find out - if you're really spent
Find out - if you're out of wind
Windout - if you're out of sin

Winding up

There's no doubt - that you're feeling fine
No doubt - that you're out of mind
No doubt - that you're young and red

Windout - if you're really spent
Find out - if you're young and red
Windout - if you're out of wind
If you're young and red

Tick tock time to clock my band
Once is good enough, you really go...

Windout, find out, no doubt
Windout, find out, no doubt
Windout, windout, windout

AGES OF YOU

{section: Riff}
{sot}e---0-0---0-0--|
B--2-0-----0---|
G-------2------|
D--------------|{eot}

[A]Postcard stowaway within  [E]
[A]Pristine indigo without [E]
[A]Banded at[E]toman as such
[A]Sofa seated one too much[E]

[D]All along the ra[E]nge all [D]along the range [E]         [D]                 [E]                         [D]                                 [E]
[C#m]Ages [E]of [A]yo[Asus4]u

[E]Train pulls over hanging brid[C#m]ge
[E]Conductor looks up, think[C#m]s
[E]out and down hands, stuck to the left   [C#m]
[E]to the right, you should fall,  [C#m]
[E]the horses just don't gossip anymore    [C#m]

PALE BLUE EYES (The Velvet Underground)

S[F]ometimes I feel so happy
S[Bb]ometimes I feel so sad
S[F]ometimes I feel just about ev[Dm]erything
L[Bb]ately I'm j[C]ust feeling b[F]ad
L[Bb]ately I'm j[C]ust feeling b[F]ad

Linger o[C]n your pale blue e[F]yes [C]     [F]

I thought of you as my mountain top
I thought of you as my peak
I thought of you as just about everything
I had but couldn't keep
I had but couldn't keep

{section: Solo}
{sot}E------8-5-6-5-----------8------------8---------------------8----------8--------|{eot}
B-4sl6---------8-6-8sl10---10--4sl6-6---6-8-6---8-8-10-8-10---6--8sl10--10-8-10-|
{sot}G---------------------------------------------7---------------------------------|{eot}

{sot}E-------1-----|
B---1-3---3---|
G-3-----------|{eot}

ROTARY 10

{sot}e-----5-7----7--7^8^7--------------------------------------------------|
B----5-----------------7-8---7^8^7-------------------------------------|
G---5-------------------------------8^9--------------------------------|
D--7------------------------------------9---5^7^5-5--------------------|
A----------------------------------------------------------------------|
E----------------------------------------------------7-2---------------|{eot}

BANDWAGON

Come on abo[C]ard, I pr[A7]omise you you [F]won't hurt the [Bb]horse
We tr[A7]eat him well, we fee[Bb]d him wel[Fsus4]l        [F]
  ---             C        A7         F           Bb
There's lots of room for you on the bandwagon,
The r[A7]oad may be rou[Bb]gh, the weat[F]her may fo[C]rget us
But won'[F]t we all parade around and sin[C]g our songs,
a ma[F]gic kingdom, ope[C]n-armed

Greet us hello, bravo, name in lights
Passing on the word fellow passengers and players, passing in,
Until you're tired looking at all the flags
And all the banners waving
This is some parade, yesiree Bob.
Could we have known?
Yesiree Bob, could we have known?

L[G]ook at al[Em]l the flags and al[Am]l the banners w[D]aving,
O[G]pen up our ar[Em]ms, a magic kin[Am]gdom, open-armed to [D]greet us all[F]    [G]

Come on abo[C]ard, I pr[A7]omise you you [F]won't hurt the [Bb]horse
We tr[A7]eat him well, we fee[Bb]d him wel[Fsus4]l        [F]
  ---             C        A7         F           Bb
There's lots of room for you on the bandwagon,
The r[A7]oad may be rou[Bb]gh, the weat[F]her may fo[C]rget us
But won'[F]t we all parade around and sin[C]g our songs, and wave our flags.
A ma[F]gic kingdon, gre[C]et us all hello, greet us hello, greet us hello.

FEMME FATALE

[C]Here she [F]comes
[C]You better watch your [F]step
[C]She's going to [Dm7]play you for a [Bb]fool
It's [G]true
[C]It's not hard to [F]realize
[C]Just look into her false colored [F]eyes
[C]She'll build you [Dm7]up just to let you [Bb]down
What a [G]clown

{section: Chorus}
[G]Cause everybody [C]knows
(she's a femme fa[F]tale)
The things she does to [C]please
(she's a femme fa[F]tale)
She's just a little [C]tease
(she's a femme fa[F]tale)
See the way she [Dm7]walks
Hear the way she [Bb]talks [G]

[C]Your written in her [F]book
[C]Your number thirty-seven take a [F]look
[C]She's going to [Dm7]smile to make you [Bb]frown
What a [G]clown

[C]She came in from the [F]street
[C]Before you start you're already [F]beat
[C]She's going to [Dm7]play you for a [Bb]fool
Yes it's [G]true

{section: Chorus twice}
[G]Cause everybody [C]knows
(she's a femme fa[F]tale)
The things she does to [C]please
(she's a femme fa[F]tale)
She's just a little [C]tease
(she's a femme fa[F]tale)
See the way she [Dm7]walks
Hear the way she [Bb]talks [G]

[G]Cause everybody [C]knows
(she's a femme fa[F]tale)
The things she does to [C]please
(she's a femme fa[F]tale)
She's just a little [C]tease
(she's a femme fa[F]tale)
See the way she [Dm7]walks
Hear the way she [Bb]talks [G]

WALTERS THEME
The song ends with
an E7 chord...

Fig. 1
[E]           [B]         [E]          [B]        [E]

{sot}------4-----2--------------4-----2--------------4---|
---5-----5-----4--------5-----5-----4--------5------|
4-----------------4--4-----------------4--4---------|
----------------------------------------------------|
----------------------------------------------------|
----------------------------------------------------|{eot}

{sot}---2-------------------2-------------------|
5-----4-----2--2--2/4-----4----------------|
---------4--2--2--2/4--------4-------------|
-------------------------------------------|
-------------------------------------------|
-------------------------------------------|{eot}

Fig. 2
[A]          [E]            [A]      [E]

{sot}-0---0--0--0--0--0--0--0-0--0--0--0--0--------------|
-10--9--7--5--5--5--5--4/5--5--2--0--0--------------|
----------------------------------------------------|
----------------------------------------------------|
----------------------------------------------------|
----------------------------------------------------|{eot}

 [A]         [E]           [A]       [E]

{sot}-0---0--0--0--0--0--0--0-0--0--0--0--0--0-----------|
-10--9--7--5--5--5--5--4/5--5--0--0--0--0-----------|
----------------------------------------------------|
----------------------------------------------------|
----------------------------------------------------|
----------------------------------------------------|{eot}

Lyrics:

Hey this is David
I've got a hat the size of Oklahoma
Put on my boots and going down to Walter's
Good tasting barbecue
Bring some home to the misses
They'll give you a bag to put it in
This is David, signing off

KING OF THE ROAD (Roger Miller)

 Trailers for sale or rent
[F]  [F#]   [G]      T[C]railers for sa[F]le or rent

R[G]ooms to let, f[C]ifty cents
N[C]o cars no poo[F]l no pets
I[G] ain't got no cigarettes
It takes fo[C]ur hours of push[F]in' broom
To buy a[F#] fo[G]ur-by-twelve tw[C]o-bit room
I'm a ma[C]n of mea[F]ns, by no means [F#]     [G]

King of the road

{ somewhere in the course of the whole song they go up  a key and
  play       [D]    [G]     [A]     [D] ...... }

WOLVES, LOWER

Original chords/tab by: ?
Corrections by: the-concourse-on-high

{sot}{riff}
 E  ---0-------0------0-------0--------0-----0---0---0--------------|
 B --8---8--10--10--8---8--10---10---8----10----0---0---0---0-----0-|
 G --9------11------9------11--------9----11---9---8---6---8---8----|
 D ------------------------------------------------------7---9------|{eot}

{sot}{riff2}:  E  ---------0--|  playing this note on open E facilitates hitting the{eot}
          B  --10-9-8----|    D chord on time

{ "[A]" chord:  x06700     "[D]" chord:  x07700 }

{sot}{"[G]" riff}:
(e)-3--3--3-3--3--3-3--3--3-3--3--3-|
(b)--3--3----3--3----3--3----3--3---|
(g)4--5--5-4--5--5-4--5--5-4--5--5--|{eot}

{Intro:}  Riff  (x 2)

{riff}
Suspicion yourself, suspicion yourself, don't get caught.
Suspicion yourself, suspicion yourself, let us out.
Wilder lower wolves.  Here's a house to put wolves out the door.

{sot}riff2   "D"     riff2  "A"   riff2 "D"     riff2 "A"    E  --0---0---0---|
                                                        B  -5--4--3----2-|{eot}
        In a corner   garden,      wilder lower wolves

 H[A]ouse in or[D]der     [G]          [C]
 H[A]ouse in or[D]der     [G]          [C]
 H[A]ouse in or[D]der     [G]          [C]
 H[A]ouse in or[D]der     [G]          [C]

{"[G]" riff}
Down there they're rounding a posse to ride.

{riff}
Suspicion yourself, suspicion yourself, don't get caught.
Suspicion yourself, suspicion yourself, let us out.
Wilder lower wolves.  Here's a house to put wolves out the door.

{sot}riff2   "D"     riff2  "A"   riff2 "D"     riff2 "A"    E  --0---0---0---|
                                                        B  -5--4--3----2-|{eot}
        In a corner   garden,      wilder lower wolves

 H[A]ouse in or[D]der     [G]          [C]
 H[A]ouse in or[D]der     [G]          [C]
 H[A]ouse in or[D]der     [G]          [C]
 H[A]ouse in or[D]der     [G]          [C]

{"[G]" riff}
Down there they're rounding a posse to ride.

{Break:}
(e)77-10- 9--77- 9-7--1212-10- 9--77- 9-7-- etc.
(b)88-10-10--88-10-8--1212-10-10--88-10-8-- etc.
(g)always open, occasionally hit

{* these are the notes, not the strum patterns}

{riff x 2}

{riff}
Suspicion yourself, suspicion yourself, don't get caught.
Suspicion yourself, suspicion yourself, let us out.
Wilder lower wolves.  Here's a house to put wolves out the door.

{sot}riff2   "D"     riff2  "A"   riff2 "D"     riff2 "A"    E  --0---0---0---|
                                                        B  -5--4--3----2-|{eot}
        In a corner   garden,      wilder lower wolves

 H[A]ouse in or[D]der     [G]          [C]
 H[A]ouse in or[D]der     [G]          [C]
 H[A]ouse in or[D]der     [G]          [C]
 H[A]ouse in or[D]der     [G]          [C]

{"[G]" riff}
Down there they're rounding a posse to ride.

{end song on Em7}

Gardening at Night by REM

{sot}e:---------------------|
B:---------------------|
G:---------------------|    repeat 3X
D:-----0-0-7-0-9-7-----|
A:---------------------|
E:---------------------|{eot}

{sot}e:----------------------------------------------------|
B:----------------------------------------------------|
G:---7-7-7-7-7-7-7-7-/--------------------------------|
D:---7-7-7-7-7-7-7-7-/--------------------------------|
A:----------------------------------------------------|
E:----------------------------------------------------|{eot}

this part is really just kind of a walk.

[D5]/sus2: xx0230

{sot}e:---3-3---2-2---0-0---0-0---0-0----------------------|
B:---3-3---3-3---3-3---3-3---1-1----------------------|
G:---2-2---2-2---2-2---2-2---2-2----------------------|
D:---0-0---0-0---0-0---2-2---0-0----------------------|
A:----------------------------------------------------|
E:----------------------------------------------------|{eot}

[D]I see your money on the [Cadd9]floor, I felt the pocket change.
Though [G]all the feelings that broke through that [A7]door
just didn't seem to be too [D]real.

[D]The yard is nothing but a [Cadd9]fence, the sun just hurts my eyes.
Somewher[G]e it must be time for peni[A7]tence.  Gardening at night is never w[D]here.

[G]Garde[A]ning at [D]night.  [G]Garde[A]ning at [D]night.  [G]Garde[A]ning at [D]night.

[Em]The neighbors go to bed at t[F#m]en.
[Em]Call the prayer line for a cha[F#m]nge.
[Em]The charge is changing every mo[F#m]nth.
[Em]They said it couldn't be [A]arranged.   [D]
[D]We ankled up the garbage [C]sound, but they were busy in the [G]rows.
We fell up, not to see the [A7]sun, gardening at night just didn't [D]grow.

[D]I see your money on the [Cadd9]floor, I felt the pocket change.
Though [G]all the feelings that broke through that [A7]door
just didn't seem to be too [D]real.
Ga[G]rden[A]ing at nig[D]ht.  Ga[G]rdeni[A]ng at nig[D]ht.  G[G]ardeni[A]ng at nig[D]ht.

[Em]Your sister said that you're too [F#m]young.
[Em]They should know they've been there [F#m]twice.
[Em]The call was two and [F#m]fifty-one.
[Em]They said it couldn't be [A]arranged.[D]

[D]I see your money on the [Cadd9]floor, I felt the pocket change.
Though [G]all the feelings that broke through that [A7]door
just didn't seem to be too [D]real.
[D]We ankled up the garbage [Cadd9]sound, but they were busy in the rows[G].
We fell up, not to see the [A7]sun, gardening at night just didn't [D]grow.

Ga[G]rden[A]ing at nig[D]ht.  Ga[G]rdeni[A]ng at nig[D]ht.  G[G]ardeni[A]ng at nig[D]ht.

CARNIVAL OF SORTS (BOX CARS)

A* = Play A/Asus2/Asus4 variations  (listen to song to get the feel of it)

{sot}{Opening riff:}
                                      B  --------0-------|
 G  ------0---0----                   G  -------0--0-----|
 D  -----4---4--4--  X 3    then..    D  -----4------4---|
 A  -7-7-----------                   A  -7-7------------|{eot}

{sot}{Chorus riff}:
 B  --2-2-3-2-0---|
 G  ------------2-|{eot}

{Intro}:  Opening riff

[Bm]    [A]  [D]  [G]   [A]

{[Bm]  [A]  [D]  [G]  [A]*  progression}
There's a secret stigma, reaping wheel.
Diminish, a carnival of sorts.
Chronic town, poster torn, reaping wheel.
Stranger, stranger to these parts.

 [G]Gentlemen [A]don't get caught, [Bm]cages under [A]cage
 [G]Gentlemen [A]don't get caught
 [Bm]   [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling) out of town
 [Bm]   [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling) out of town
 [Bm]   [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling) out of town

{[Bm]  [A]  [D]  [G]  [A]*  progression}
There's a secret stigma, reaping wheel.
Diminish, a carnival of sorts.
Chronic town, poster torn, reaping wheel.
Stranger, stranger to these parts.

 [G]Gentlemen [A]don't get caught, [Bm]cages under [A]cage
 [G]Gentlemen [A]don't get caught
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling) out of town
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling) out of town
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling) out of town

{opening riff}
Cages under, cages under, cages under cage
Cages under, cages under, cages under cage

 [G]Gentlemen [A]don't get caught, [Bm]cages under [A]cage
 [G]Gentlemen [A]don't get caught
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling) out of town
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling) out of town
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling) out of town

{[Bm]  [A]  [D]  [G]  [A]*  progression}
There's a secret stigma, reaping wheel.
Stranger, stranger to these parts.
Chronic town, poster torn, reaping wheel.
Diminish, stranger.

 [G]Gentlemen [A]don't get caught, [Bm]cages under [A]cage
 [G]Gentlemen [A]don't get caught
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling) out of town
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling) out of town
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling)
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 out of town.....
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 Boxcars (are pulling)
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 Carnival of sorts
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 out of town.....
 [Bm]       [G]       [A]/[Asus4]  {chorus riff}
 out of town.....

1,000,000

{riff}:

"[B]" chord:   "[E]" chord
 E   ---       ---|
 B   -4-       ---|
 G   -4-       ---|
 D   -4-       -2-|
 A   -2-       -2-|
 E   ---       -0-|

{alternate between these two chords with feeling}

{"[B]"/"[E]" riff}
Secluded in a marker stone
Not only deadlier but smarter too, smarter too
A[B/A]ll al[A]ong t[E/A]he tomb[A], se[B]cr[A]et in[A] the[E] r[A]uin [A]

{"[B]"/"[E]" riff}
Secluded in a marker stone
Not only deadlier but smarter too, smarter too

[A]I could l[Bm]ive a mi[Esus4]llion
[A]I could l[Bm]ive a mi[Esus4]llion
[A]I could l[Bm]ive a mi[Esus4]llion
[A]I could l[Bm]ive a mi[Esus4]llion yea[E]rs[Esus4]

{"[B]"/"[E]" riff}

{"[B]"/"[E]" riff}
Secluded in a marker stone
Not only deadlier but smarter too, smarter too
A[B/A]ll al[A]ong t[E/A]he tomb[A], se[B]cr[A]et in[A] the[E] r[A]uin [A]
{"[B]"/"[E]" riff}
Secluded in a marker stone
Not only deadlier but smarter too, smarter too

[A]I could l[Bm]ive a mi[Esus4]llion
[A]I could l[Bm]ive a mi[Esus4]llion
[A]I could l[Bm]ive a mi[Esus4]llion
[A]I could l[Bm]ive a mi[Esus4]llion yea[E]rs[Esus4]

A[B/A]ll al[A]ong, a[E/A]ll alon[A]g al[B]l [A]along[A] the[E] t[A]omb [A]
S[B/A]ecret[A] in s[E/A]ecret i[A]n, se[B]cr[A]et in[A] the[E] r[A]uin [A]
{"[B]"/"[E]" riff}
Secluded in a marker stone
{"[B]"/"[E]" riff}
Not only deadlier but smarter too, smarter too

[A]I could l[Bm]ive a mi[Esus4]llion
[A]I could l[Bm]ive a mi[Esus4]llion
[A]I could l[Bm]ive a mi[Esus4]llion
[A]I could l[Bm]ive a mi[Esus4]llion yea[E]rs[Esus4]

{"B"/"E" riff to end}

STUMBLE  (Version 1)

{ [Am] : 577555     [G]  : x55787     [D]  : 557775     [C]  : 335553 }

{section: Intro}
{harmonics}

        [Am]  [G]  [D]  [C]

[Am]We'll stumble through the  [G]yard
[Am]We'll stumble through the  [G]yard
[Am]We'll stumble through the  [G]A-P-T.
[Am]We'll stumble through the  [G]yard
[D]Force fields. [C]Explorer racing home, the ancient star.
[D]Yellow mixed with golden hue.   [C]Scan the graveyard, dead there be.
[Am]Ball and c[G]hain.  [Am]Ball and ch[G]ain.
[Am]Ball and c[G]hain.  [Am]Ball and ch[G]ain.

[Am]We'll stumble through the  [G]yard
[Am]We'll stumble through the  [G]yard
[Am]We'll stumble through the  [G]A-P-T.
[Am]We'll stumble through the  [G]yard
[D]Force fields. [C]Explorer racing home, the ancient star.
[D]Yellow mixed with golden hue.   [C]Scan the graveyard, dead there be.
[Am]Ball and c[G]hain.  [Am]Ball and ch[G]ain.
[Am]Ball and c[G]hain.  [Am]Ball and ch[G]ain.

{Break: ?}

[Am]We'll stumble through the  [G]yard
[Am]We'll stumble through the  [G]yard
[Am]We'll stumble through the  [G]A-P-T.
[Am]We'll stumble through the  [G]yard
[D]Force fields. [C]Explorer racing home, the ancient star.
[D]Yellow mixed with golden hue.   [C]Scan the graveyard, dead there be.
[Am]Ball and c[G]hain.  [Am]Ball and ch[G]ain.
[Am]Ball and c[G]hain.  [Am]Ball and ch[G]ain.

{drums/random guitar noise}
It was round about midnight. Hipster town.
Imagine going for a walk.
Things get around to taking place. It's not a waste of time.
The rich got a little poorer.
Things get around to taking place. If they're gonna happen at all.
Don't need that jazz.  Don't need that stuff.
It was round about midnight.  Hipster town.
It was round about midnight.  Hipster town.

[Am]   [G]

[Am]We'll stumble through the  [G]yard
[Am]We'll stumble through the  [G]yard
[Am]We'll stumble through the  [G]A-P-T.
[Am]We'll stumble through the  [G]yard
[D]Force fields. [C]Explorer racing home, the ancient star.
[D]Yellow mixed with golden hue.   [C]Scan the graveyard, dead there be.
[Am]Ball and c[G]hain.  [Am]Ball and ch[G]ain.
[Am]Ball and c[G]hain.  [Am]Ball and ch[G]ain.

(BONUS TRACK!!!!) FROM THE I.R.S. RE-ISSUE YEARS!

ALL THE RIGHT FRIENDS

{Intro:}  one, two, three...  A/// B

[B]I know you say [A]   [B]
Maybe some day [A]   [B]
I need never be [F#]alone
[A]   [B]     I know I say  [A]    [B]
It's the right way  [A]    [B]
But you'll never be the [F#]one

{sot}[Abm]
I've been so alone now
C#                 (b)-7-6-4-6--{eot}
For a long long, long time
[Abm]I don't wanna hang out now
[F#]With the folks that just stopped by

[B]While you party [A]   [B]
[B]You've been looking [A]   [B]
But your searching never [F#m]ends
[A]   [B]   You've been going  [A]    [B]
[B]With the wrong crowd  [A]    [B]
[B]You've got all the right [F#m]friends

{sot}[Abm]
I've been walking alone now
C#            (b)-7-6-4-6--{eot}
For a long, long time
[Abm]I don't want to spend now
[F#m]With the folks...that just aren't mine

[E]   I don't wanna [F#]be with you any[Abm]more   [Abm]         [F#]              [E]
   I just don't w[F#]ant you any[Abm]more   [Abm]         [F#]              [E]
   I don't wanna [F#]be with you any[Abm]more   [Abm]         [F#]              [E]
   I just don't w[F#]ant you any[Abm]more   [Abm]         [F#]              [E]

Rave on!

[F#]Fall to...fall to...fall to...fall to[Abm]o
[F#]Fall to...fall to...fall to...fall to[Abm]o

[E]   I don't wanna [F#]be with you any[Abm]more   [Abm]         [F#]              [E]
   I just don't w[F#]ant you any[Abm]more   [Abm]         [F#]              [E]
   I don't wanna [F#]be with you any[Abm]more   [Abm]         [F#]              [E]
   I just don't w[F#]ant you any[Abm]more   [Abm]         [F#]              [E]

[B]I know you say [A]   [B]
Maybe some day [A]   [B]
I need never be [F#]alone
[A]   [B]     I know I say  [A]    [B]
It's the right way  [A]    [B]
But you'll never be [F#]alone

{sot}[Abm]
I've been walking alone now
C#            (b)-7-6-4-6--{eot}
For a long, long time
[Abm]I don't gotta hang out
[F#m]With the folks...that just aren't mine

[E]   I don't wanna [F#]be with you any[Abm]more   [Abm]         [F#]              [E]
   I just don't w[F#]ant you any[Abm]more   [Abm]         [F#]              [E]
   I don't wanna [F#]be with you any[Abm]more   [Abm]         [F#]              [E]
   I just don't w[F#]ant you any[Abm]more   [Abm]         [F#]              [E]

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