Different Class

{tuning: Standard (EADGBE)}
[C]She came from Greece she had a thirst for knowledge

She studies sculpture at St. Martins College
That¦s where I[G] caught her eye
[C]She told me that her dad was loaded

I said "In that case I¦ll have a rum and coca-cola"
She said "fine" an[G]d in a thirty seconds time she said

[F]"I want to live like common people
I want to do whatever common people do                        [C]

I want to sleep with common people
I want to sleep with common people like you"                      [G]
Well what else could I do?, I said "I¦ll see what I can do"                           [C]

[C]I took her to a supermarket
I don¦t know why but I had to start it somewhere - so it star[G]ted there
[C]I said "Pretend you¦ve got no money"

She just laughed and said "Oh, you¦re so funny"
I said "Yeah,[G] well I can¦t see someone else smiling in here

Are you sure you wan[F]t to live like common people
You want to see whatever common people see                             [C]

You want to sleep with common people
You want to sleep with common people like me                           [G]
But she didn¦t understand, she just smiled and held my hand                          [C]

Rent a flat a[C]bove your shop, cut you hair and get a job
Smoke some fags and play[G] some pool, prentend you never went to school
But still you¦ll ne[C]ver get it right, ¦cos when you¦re laid in bed at night
watching roaches clim[G]b the wall, if you called your dad he could stop it all

[F]You¦ll never live like common people
You¦ll never do whatever common people do                    [C]

You¦ll never fail like common people
You¦ll never watch your life slide out of view           [G]
And dance and drink and screw because there¦s nothing else to do                                [C]

[C]  [G]
[C]  [G]

[F]Sing along with the common people,
Sing along and it might just get you thru¦          [C]

Laugh along with the common people
Laugh along even though they are laughing at you                           [G]

And the stupid things that you do
Because you think that poor is cool                 [C]

[C]Like a dog lying in a corner they will bite you and never warn you
look out,[G] they¦ll tear you insides out
[C]¦Cos everybody hates a tourist especially one who thinks that it¦s all
Such a laugh   [G]

and the chip stains and grease will come out in the bath

you will never [F]understand how it feels to live your life
With no meaning or c[C]ontrol and with nowhere left to go
You are amazed tha[G]t they exist and they burn so bright
Whilst you can only wonder why                [C]

Rent a flat a[C]bove your shop, cut you hair and get a job
Smoke some fags and play[G] some pool, prentend you never went to school
But still you¦ll ne[C]ver get it right, ¦cos when you¦re laid in bed at night
watching roaches clim[G]b the wall, if you called your dad he could stop it all

[F]You¦ll never live like common people
You¦ll never do whatever common people do                    [C]

You¦ll never fail like common people
You¦ll never watch your life slide out of view           [G]
And dance and drink and screw because there¦s nothing else to do                                [C]

I want to live with common people like you

I want to live with common people like you

Disco 2000

{section: Intro}
[F]  [Fsus4]  [Bb]  [Bbsus4]

Well we were b[F]orn within an hour of each other

Our mothers said we could be sister and brother
Your name is Deb[Bb]orah. Deborah - it never suited you

Oh and they sa[F]id that when we grew up

We4d get married and never split up
We never d[Bb]id it, although I often I thought of it

Oh Deborah, do you rec[Cm]all? [Csus2]
Your house was very sm[Cm]all with wood-chips on the w[Cm]all
When I came around to c[Cm]all you didn4t notice me at a[F]ll

And I said "L[Bb]et4s all meet up in the year 2000
{sot}W[Dm]on4t it be strange when we4re all fully gro[Gm]wn?
                             [Cm]               [Fsus4]  [F]
Be there two o4clock by the fountain down the ro-----ad"{eot}

[Bb]I never knew that you4d get married
[Dm]I would be living down here on my o[Gm]wn
On that damp and loney Th[Cm]ursday years a[F]go

You were the fi[F]rst girl in school to get breasts

Martyn said that you were the best
The boys all l[Bb]oved you but I was a mess

I had to watch them try to get you undressed

We were fr[F]iends that was as far as it went

I used to walk you home sometimes but it meant
Oh, it meant nothing t[Bb]o you - cos you were oh so popular
Oh Deborah, do you r[Cm]ecall?

Your house was very small with wood-chips on the wall
When I came around to call you didn4t notice me at a[F]ll

And I said "Le[Bb]t4s all meet up in the year 2000
[Dm]Won4t it be strange when we4re all fully gr[Gm]own?
Be there two o4clock by the f[Cm]ountain down the r[F]oad"

[Bb]I never knew that you4d get married
[Dm]I would be living down here on my [Gm]own
On that damp and loney T[Cm]hursday years a[F]go

[F]  [Bb]

Oh yeah, oh yeah

Oh Deborah, do you re[Cm]call?

Your house was very small with wood-chips on the wall
When I came around to call you didn4t notice me at [F]all

And I said "L[Bb]et4s all meet up in the year 2000
[Dm]Won4t it be strange when we4re all fully g[Gm]rown?
Be there two o4clock by the fo[Cm]untain down the ro[F]ad"

[Bb]I never knew that you4d get married
[Dm]I would be living down here on my [Gm]own
On that damp and loney Thu[Cm]rsday years a[F]go

Oh, w[Bb]hat are you doing Sunday, baby?
[Dm]Would you like to come and meet me maybe?
[Gm]You can even bring your baby, [Cm]oh.    [F]

Oh, w[Bb]hat are you doing Sunday, baby?
[Dm]Would you like to come and meet me maybe?
[Gm]You can even bring your baby, [Cm]oh.    [F]ooh oh oh oh....

[F].[E].[E].L.I.N.[G].[C].[A].L.L.[E].[D].L.O.V.[E].

"This is a song about those times when your life seems to be
following a set
path.  It's alright ... but then suddenly something happens and
shakes it all
up - and it's called F.E.E.L.I.N.G.C.A. double L.E.D. L.O.V.   ...
[G]."
                                         - Jarvis Cocker

[A5]The room is cold, and it's been like this for several months,
and if I close my eyes I can visualise everything in it.
Right down, right down to the broken handle of the third drawer
down of the dressing table.  And the world outside this room has
assumed a familiar shape, the same events shuffled in a slightly
different order each day, just like a modern shopping centre.

And it's so cold.....,
Yeah it's so cold...

[Dm]What[C] ...[Dm]    [C]

[Em]is .[Dm]..  [Em]      [Dm]

[F]this[Em] ...[F]    [Em]
feeling called lo[Em]ve? [Dm]     [Em]         [Dm]

Why [Dm]me? [C]     [Dm]         [C]

Why y[Em]ou? [Dm]     [Em]         [Dm]

Why he[F]re? [Em]     [F]         [Em]

And why no[Em]w?  [Dm]      [Em]          [Dm]

[Dm]It d[C]oesn't ma[Dm]ke no sense. N[C]o.
[Em]It's n[Dm]ot con[Em]veni[Dm]ent. No.
[F]It d[Em]oensn't [F]fit my p[Em]lans.
No, it's so[Em]mething I[Dm] don't un[Em]derst[Dm]and oh.

[Dm]  [C]   [Dm]  [C]
[F].[E].[E].L.I.N.[G].
{And as I stand and cross the room}

[Em]    [Dm]    [Em]    [Dm]
[C].[A]. double L.[E].[D].
{I feel as if my whole life has been leading to this one moment}

[F]L.  [Em]O.  [F]V.  [Em]E.
{And as I touch your shoulder, tonight}

[Em]What is this t[Dm]hing that is ha[Em]ppening to m[Dm]e?
{this room has become the centre of the entire universe}

[A5]So what do I do?  I've got this slightly sick feeling in my stomach
like I'm standing on the top of a very high building.  Oh yeah, all
the stuff they tell you about in the movies, but this isn't
chocolate boxes and roses - it's dirtier than that, like some small
animal that only comes out at night.  And I see flashes of the shape

of your breasts and the curve of you belly and they make me have to
sit down and catch my breath.

And it's so cold.......,
Yeah it's so cold...

(Chords as before...)

What ... is ... this ... feeling called love?
Why me?  Why you?  Why here?  And why now?

It doesn't make no sense. No.
It's not convenient. No.
It doensn't fit my plans,
But I've got that taste in my mouth again

[F].[E].[E].L.I.N.[G].
{And the world begins to spin and spin outside the window}

[C].[A]. double L.[E].[D].
{faster and faster and faster}

L. O. V. E.
{And this room has become the focus around which everything else
revolves}

What is this thing that is happening to me?

[F].[E].[E].L.I.N.[G]. [C].[A]. double L.[E].[D]. L.O.V.[E].
{shrieking Jarvis ad lib stuff...}

Live Bed Show
by Pulp

She d[Am]oesn't have to go to work
but she d[Am]oesn't want to stay in bed
`cause it's cha[Em]nged from something comfortable [E]
to something else inst[Am]ead
{section: Verse 1}
This b[Am]ed has seen it all from the fi[Em]rst time to the last
the sil[G]ences of now and the go[Dmaj7]od times of the past
and it on[D7]ly cost ten pounds from the sh[G]op just down the road
Mind you, that was se[Fmaj7]ven years ago and th[E]ings were very different t[Am]hen

{section: Verse 2}
(same chords)
It didn't get much rest at first the headboard banging in the night
The neighbours didn't dare complain, Oh everything wqas going right
Now there's no need to complain `cause it never makes a sound
Something beautiful left town and she doesn't even know it's name
[F]    Now every night she plays a si[D]lent game (ooh ooh ooh)

[F]    called pretending nothing's going wr[D]ong

but she kn[G]ows if this s[Fmaj7]how was televised

no-one would w[E]atch it, not tonight But seven years a[Am]go...
[verse chords...]
 La la lala lala la...
Now there's no need to complain `cause it never makes a sound
Something beautiful left town and she never even know it's name

repeat [Intro]

"Something Changed"
{section: Verse 1}
[G]  I wrote this song two h[Bm]ours before we m[C]et

[G]  I didn't know your name or w[Bm]hat you looked like y[C]et Oh

[C]  I could have st[D]ayed at home and g[Bm]one to b[E]ed

[C]  I could have go[D]ne to see a fi[Bm]lm inst[E]ead

[Bm]  You might have cha[E]nged your mind and s[Am]een your fri[D]ends

[Bm]    Life co[E]uld have been very di[Am]fferent but th[D]en s[Am7]omething c[D]hanged

[[D] [Dsus4] [D]   [G] [Gsus4] [G]]

{section: Verse 2}
(same chords as verse 1)
Do you believe that there's someone up above?
And does he have a timetable directing acts of love?
Why did I write this song on that one day?
Why did you touch my hand and softly say
"Stop questions that don't matter anyway
Just give us a kiss to celebrate here today something changed"

[[D] [Dsus4] [D]  [G] [Gsus4] [G]]
[[G] [Bm]  [C]] x2
When we wo[C]ke up that mo[D]rning we had [Bm]no way of k[E]nowing

that in a m[C]atter of ho[D]urs we change the w[Bm]ay we were go[E]ing

[Bm]   where would I b[E]e now?  Wh[Bm]ere would I b[E]e now if we n[Am]ever m[D]et?
[Bm]   Would I be si[E]nging this song to som[Am]eone else inst[D]ead?

I don't k[Am7]now, but like you just sa[D]id  [G]

something c[G]hanged.

Suggestions and corrections are always welcome!
date: 11/12/95

[G]  [Gsus4]  [G]  [Gsus4]

[G]I wrote this song two hours befor[Bm]e we met                [C]
[G]I didn¦t know your name or what you [Bm]looked like yet              [C]
[C]Oh, I could have stayed at hom[D]e and gone to bed           [Bm]                     [E]
[C]I could have gone to s[D]ee a film instead [Bm]        [E]
[Bm]You might have changed your m[E]ind and seen your friend        [Am]                         [D]
[Bm]Life co[E]uld have been very different but t[Am]hen           [D]
[Am]Something changed   [D]

[D]  [Dsus4]  [G]  [Gsus4]

[G]Do you believe that there¦s someone up [Bm]above?           [C]
[G]And does he have a timetable directing acts of lov[Bm]e?                   [C]
[C]Why did I write [D]this song on that one day?[Bm]            [E]
[C]Why did you touch my h[D]and and softly say:          [Bm]               [E]
[Bm]"Stop asking questions t[E]hat don¦t matter anyway     [Am]           [D]
[Bm]Just give us a kiss t[E]o celebrate here today   [Am]         [D]
[Am]Something changed"  [D]

[G]  [Bm]  [C]
[G]  [Bm]  [C]
[C]  [D]  [Bm]  [E]
[C]  [D]  [Bm]  [E]
[Bm]  [E]  [Am]  [D]
[Bm]  [E]  [Am]  [D]
[Am]  [D]

When we woke up tha[C]t morning we had no way of[D] knowing          [Bm]                        [E]
That in a matter o[C]f hours we ch[D]anged the way we were going      [Bm]                                            [E]
[Bm]Where would I be now, [E]where wou[Bm]ld I be now           [E]
If we¦[Am]d never [D]met?
[Bm]Would I be singing [E]this song to someone else inst[Am]ead?               [D]
I dunno but[Am] like you just said       [D]
[G]Something changed

Sorted For E's And Whizz by Pulp

{section: Verse1}
Oh is this th[C]e way they say the futures meant to feel?

Oh just twenty [G]thousand people standing in a field

And I just d[C]on't understand quite what this feeling is

That's okay cos[G] we're all sorted out for E's and Whizz

And tell [C]me when the spaceship lands
Cos all this has just got to mean something                            [G]

{section: Chorus}
[Dm]        In the middle of the night

[F]        It feels alright[G] but then tomorrow morning   [Bb]

[Am]Ohh ohh when you come do[Bb]wn           [G]                   [G]

Oh yeah the pirate radio told us what was going down
Got the tickets from some messed up bloke in Camden Town
And no one seems to know exactly where it is
But that's okay, cos we're all sorted out for E's and Whizz
At four o' clock the normal world seems very very very far away
Hey hey

{section: Chorus}
Just keep on moving       [C]                                 [G]

[C]Everybody asks your name they say we're all the same
And now it's, Nice One, [G]Geezer - that's as far as the conversation went

I [C]lost my friends I dance alone, it's 6 o' clock, I wanna go home

[This bit's spoken, and the timing's a bit weird, so just do the chords as before!]
But it's no wa[G]y not today, makes you wonder what it meant

And this hollow f[C]eeling grows and grows and grows and grows
And you wanna call your mother and say, "Mother,
I can never come home again because I seem to have left
an important part of my brain somewhere in a field in Hampshire.  Alright

{section: Chorus}
[Am]Oohh Oohh when you come do[Bb]wn
[Am]Ooh what if you never come do[Bb]wn?

"Sorted for E's & Wizz"
by Pulp
from the album "Different Class"

{section: Intro}
{sot}        -14-14-14-14-14-14-14-14-13-13-13-{eot}

{sot}        -11-11-11-11-11-9-9-9-8-8-8-------{eot}

{section: Verse 1}
        Oh is this the way to say the future's meant to feel?

              [C]    [G]

{sot}        -0----0----3-
        -0----1----0-
        -0----0----0-
        -0----2----0-
        -0----3----2-
        -0----x----3-{eot}

                repeat rhythm with C and G till chorus, i.e. :

{section: Verse 1}
([C] [G]) x 4

{section: Verse 2}
([C] [G]) x 3

{section: Verse 3}
([C] [G]) x 5

{section: Chorus}
        In the middle of the night it feels allright, but then tomorrow morning

        4 x D      4 x D      4 x F      4 x G      4 x A#      4 x A#

        ooh ooh ooh, ooh then you come down

        [A]            [A]                 [Bb]

         [D]    [F]    [G]    [Bb]   [A]

{sot}        -x----x----x----x----x-
        -x----x----x----x----x-
        -7---10---12----7----6-
        -7---10---12----8----7-
        -5----8---10----8----7-
        -x----x----x----6----5-{eot}

{section: Bridge}
{sot}        -3-3-3----{eot}

end:

        Ooh ooh ooh, ooh then you come down     ( x 2)
        [A]            [A]                 [Bb]

        ooh ooh ooh, what if you never come down
        [A]            [A]                      [Bb]

"Underwear"
{section: Verse 1}
[A]  Why don't you shut the do[C#]or

And close the [D]curtains

'Cause y[Dm]ou're not going anywhere

[A]  He's coming up the s[C#]tairs

And in a m[D]oment

He'll [Dm]want to see your underwear

{section: Chorus}
[D]  I couldn't stop it n[Dm]ow

There's no way to get o[A]ut

He's standing far too n[F#m]ear

How the hell did you get h[E]ere

Standing n[F#m]aked in some[D]body elses r[A]oom

I'd give my w[F#m]hole life to s[E]ee you

Just y[D]ou standing t[Dm]here

Only [A]in your underwear

{section: Verse 2}
(same chords as verse 1)
If fashion is your trade
When you're naked
I guess you must be unemployed
But once it's underway
There's no escaping
The fact that you're a girl and he's a boy

{section: Chorus}
{section: Violin solo}
[A]     [Absus4] [Ab]    [Asus4] [A]   [E]  [Ab]
[A]   [C#]  [D]   [Dm]

{section: Verse 3}
If you could close your eyes
And just remember
This is what you wanted last night
So why is it so hard
For you to touch him
For you to give yourself to him, Jesus

[A]  Du du du du du [Absus4]du      [Ab]du ...

[A]   Oh y[C#]eah, I wanna s[D]ee you

Wanna s[Dm]ee you standing in your under[A]wear.