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You Can Call Me Al

Paul Simon
Version1
90

Chords in this song

Strum
D-DU-UDU
 A  man walks down  the street,
 he  says why am  I soft in the middle now,
 why  am I soft  in the middle,
 the  rest of my life  is so hard,
 I  need a photo-opportunity,
 I  want a shot at redemption,
 dont  want to end up a cartoon,
 in  a cartoon graveyard,
 bonedigger,  bonedigger,
 dogs  in the moonlight,
 far  away  my well-lit  door,
 Mr.  Beerbelly,  Beerbelly,
 get  these mutts away  from me,
 you  know I don't  find this stuff  amusing anymore.
 If  youll be my bodyguard
 I  can be your long  lost  pal,
 I  can call you Betty,
 and  Betty when you  call me
 you  can call me Al.
 A man walks down the street,
 he says why am I short of attention,
 got a short little span of attention,
 and wo my nights are so long,
 wheres my wife and family,
 what if I die here,
 wholl be my role-model,
 now that my role-model is
 gone, gone,
 he ducked back down the alley
 with some roly-poly little bat-faced girl,
 all along, along
 there were incidents and accidents,
 there were hints and allegations.
 If youll be my bodyguard
 I can be your long lost pal,
 I can call you Betty,
 and Betty when you call me
 you  can  call  me Al,
 call  me  Al.
 A man walks down the street,
 its a street in a strange world,
 maybe its the Third World,
 maybe its his first time around,
 he doesnt speak the language,
 he holds no currency,
 he is a foreign man,
 he is surrounded by
 the sound, the sound,
 cattle in the marketplace,
 scatterlings and orphanages,
 he looks around, around,
 he sees angels in the architecture,
 spinning in infinity,
 he says Amen and Hallelujah!

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Readable chord sheet for You Can Call Me Al by Paul Simon

A[G] man walks dow[D]n the street,

h[C]e says why a[D]m I soft in the middle now,

w[G]hy am I sof[D]t in the middle,

t[C]he rest of my lif[D]e is so hard,

I[G] need a phot[D]o-opportunity,

I[C] want a shot at redem[D]ption,

d[G]ont want to end up a car[D]toon,

i[C]n a cartoon [D]graveyard,

b[G]onedigger, bo[D]nedigger,

d[C]ogs in the moon[D]light,

f[G]ar away[D] my well[C]-lit door,[D]

M[G]r. Beerbelly[D], Beerbelly,

g[C]et these mutts awa[D]y from me,

y[G]ou know I don[D]'t find this stuff[C] amusing an[D]ymore.

I[G]f youll be my bod[D]yguard

I[C] can be your lon[D]g lost[G] pal, [D]       [C]          [D]

I[G] can call you Bet[D]ty,

a[C]nd Betty when yo[D]u call me

y[G]ou can call [D]me [C]Al.[D]

A man walks down the street,
he says why am I short of attention,
got a short little span of attention,
and wo my nights are so long,
wheres my wife and family,
what if I die here,
wholl be my role-model,
now that my role-model is
gone, gone,
he ducked back down the alley
with some roly-poly little bat-faced girl,
all along, along
there were incidents and accidents,
there were hints and allegations.

If youll be my bodyguard
I can be your long lost pal,
I can call you Betty,
and Betty when you call me

y[G]ou can[D] cal[C]l me [D]Al,

c[G]all m[D]e A[C]l. [D]

A man walks down the street,
its a street in a strange world,
maybe its the Third World,
maybe its his first time around,
he doesnt speak the language,
he holds no currency,
he is a foreign man,
he is surrounded by
the sound, the sound,
cattle in the marketplace,
scatterlings and orphanages,
he looks around, around,
he sees angels in the architecture,
spinning in infinity,
he says Amen and Hallelujah!

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