Skip to content
FreeGuitarTabs

Siberian Breaks

MGMT
Version1
90

Chords in this song

Strum
D-DU-UDU
   =  minor
   =  flat minor
   =  major
   =  flat major
   =  dominant 7
   =  major 7
 Part A (O0:00 - 01:22):
  Here, A minor, C major, and Amaj7 are played with the two top strings (B
 and high E) being open, but still strummed.
 
 
 
   Sleep as the goer
  the bridge  that watches the light  speed through
  And  cries while the spirit  stumbles
  and  inside missile  for the protection of you
   Maybe it's silent
  the voice  can't bear anymore  strain
  but  speaks without even  knowing
  and streams  out of sight  in the direction of truth
 
 Part B (01:23 - 01:51):
  Transition:
-----5-----5------|
---5-----5-----10-|
-6-----7-----9----|
------------------|
------------------|
------------------|
   There's no reason  there's no secret  to decode
   if you can't save  it, leave it dying  on the road
   wide open arms  can feel so cold,  so cold
  Feel so cold
 Part C (01:52 - 02:09):
 
 Part D (02:10 - 04:44):
  Transition - Play A major until the singing comes in.
  Balance  the books, the ledges, the loons
  the disappointed look on the faces
  that squint at the moon
  I've  seen it with shadows enhanced
  and then vote  to decide who'll advance
  Silver  jet plane, making a turn
  exciting the brain that expects  it to crash and then burn
  it's  not the life lesson I'd've guessed
  if  you're conscious you must be depressed
  or at least cynical
  But  someone might still eat the steaks
  even  if they're tough
  Spending  the day
  chewing  the fat
  floating  away isn't rough  but it's not enough
  Oh  Marianne, pass me the joint
  the sandpaper's tan
  go-getters  are surfing the point
  and London's  a scratch on the  lens
  it's over  before it begins
  Silk  'round her neck falls down to her shoulders
  the older I get, the more  I suspect there's a trick
  but really  there's no trick at all
  that doesn't  result in a fall
  or a faltering
  But  something might spit out the bait
  even  if it's real
  Rolling  away
  missing  the spoke
  close  to the ground like a wheel  but it's not joke
  Holding  the line
  clutching  the phone
  nobly  wasting the night,  but it isn't right
  it's not right
  Smelling  for blood
  praying  for rain
  running  away isn't rough,  but it's not enough
 Let the last A chord ring.
 Part E (04:56 - 05:59):
   The low tide is telling  me that it's over,
   to breathe in everything  exposed
   and comes back to  cover me with a breaker
   being here's always  changing  too
 
 
 Part F (06:07 - 08:21)
 
 
 
 
   The empty sky  surrounds me but  I can't see at all
   wide open arms  can feel so cold
   and you can sit  beside me and tell  me what it's worth
   but I hope I die  before I get sold
   I hope I die  before I get sold
   I'd rather die  before I get sold
 Part G (08:22 - 08:58):
  If you  find the soul  that you lost
   frozen in a starry  void
  Take  it within  and hope the sight  of blood
  can will signs of life  to return
  Back  to the way  that it was
   long before it made  a noise
  To  keep on quietly reminding  you
  what's never created  or destroyed
 Part H (08:59 - 09:11):
   x8 -  x8 -  x8
 Part A (09:12 - 09:52):
  Same as the first Part A, A minor, C major, and Amaj7 are played with the
 two top strings (B and high E) being open, but still strummed.
   Wake as the swell  peaks
  the close-outs  drowning the birds  with roars
   and howls scare the new  unkindness
  that picks  and laughs at  the carrion scene
   Forces you see  breathe
  can always  go into hiding
   and wait 'til it passes  over
  or stay  far gone for all eternity
 Let the final Cm chord ring.
 Part I (09:55 - 12:10):
   major x8 -  flat minor x8
  Repeat these two chords until the fade-out.

Source: Songsterr · Rights holder? Request removal.

Readable chord sheet for Siberian Breaks by MGMT

[Am] = [A] minor

        [Bbm] = [B] flat minor

        [C] = [C] major

        [F#] = [G] flat major

        [G7] = [G] dominant 7

        [Amaj7] = [A] major 7

Part A (O0:00 - 01:22):

        Here, A minor, C major, and Amaj7 are played with the two top strings (B
and high E) being open, but still strummed.

        [Am]      [C]       [Am]      [C]

        [Bbm]     [Cm]      [Bbm]     [Cm]

        [A]

        [Am]        Sleep as the [C]goer

        the [Am]bridge that watches the [C]light speed through

        [Bbm]And cries while the [Cm]spirit stumbles

        [Bbm]and inside missile[Cm] for the protection of [Amaj7]you

        [Am]        Maybe it's [C]silent

        the [Am]voice can't bear any[C]more strain

        [Bbm]but speaks without [Cm]even knowing

        and [Bbm]streams out of [Cm]sight in the direction of [Amaj7]truth

        [Amaj7]   [Em]      [Amaj7]   [Em]

Part B (01:23 - 01:51):

        Transition:

        -----5-----5------|
        ---5-----5-----10-|
        -6-----7-----9----|
        ------------------|
        ------------------|
        ------------------|

        [Gm]        There's no [C]reason there's no [Dm]secret to decode

        [Gm]        if you can't [C]save it, leave it [Dm]dying on the [G]road

        [Gm]        wide open [C]arms can feel so [Dm]cold, so [C]cold

        Feel so cold

Part C (01:52 - 02:09):

        [Em]      [F#]      [D]       [C#m]     [Bm]      [E]

Part D (02:10 - 04:44):

        Transition - Play A major until the singing comes in.

        [A]Balance the books, the ledges, the loons

        the disappointed look on the [F#m]faces

        that squint at the [E]moon

        [C#m]I've seen it with shadows [Bm]enhanced

        and then [C#m]vote to decide who'll [D]advance

        [A]Silver jet plane, making a turn

        exciting the brain that [F#m]expects it to crash and then [E]burn

        [C#m]it's not the life lesson I'd've [Bm]guessed

        [C#m]if you're conscious you must be [D]depressed

        or at least [A]cynical             [C#m]

        [Em]But someone might still eat the steaks

        [F#]even if they're tough

        [D]Spending the day

        [C#m]chewing the fat

        [Bm]floating away isn't [E]rough but it's not enough[A]

        [A]Oh Marianne, pass me the joint

        the sandpaper's tan

        go-[F#m]getters are surfing the [E]point

        and [C#m]London's a scratch on the[Bm] lens

        it's [C#m]over before it [D]begins

        [A]Silk 'round her neck falls down to her shoulders

        the older I get, the [F#m]more I suspect there's a [E]trick

        but [C#m]really there's no trick at [Bm]all

        that [C#m]doesn't result in a [D]fall

        or a [A]faltering          [C#m]

        [Em]But something might spit out the bait

        [F#]even if it's real

        [D]Rolling away

        [C#m]missing the spoke

        [Bm]close to the ground like a [E]wheel but it's not [A]joke        [C#m]

        [D]Holding the line

        [C#m]clutching the phone

        [Bm]nobly wasting the [E]night, but it isn't [A]right

        it's not right    [F#]

        [D]Smelling for blood

        [C#m]praying for rain

        [Bm]running away isn't [E]rough, but it's not [A]enough

Let the last A chord ring.

Part E (04:56 - 05:59):

        [Eb]        The low tide is [Gm]telling me that it's [Cm]over,      [Fm]              [Cm]

        [Bb]        to breathe in [Dm]everything exp[Gm]osed

        [Eb]        and comes back t[Gm]o cover me with a bre[Cm]aker       [Fm]               [Cm]

        [Bb]        being here's a[Dm]lways changing[Gm] too

        [Cm]      [Bb]      [F]       [Eb]      [Dm]      [G]

        [Am]      [G]       [Em]

Part F (06:07 - 08:21)

        [Dm]      [G7]      [Am]      [G]       [Em]      [A]

        [Dm]      [G7]      [Am]      [G]       [Em]      [A]

        [Dm]      [G7]      [Am]      [G]       [Em]      [A]

        [Dm]      [G7]      [Am]      [G]       [Em]      [A]

        [Dm]        The empty [G7]sky surrounds me but[Am] I can't see at a[G]ll  [Em]           [A]

        [Dm]        wide open [G7]arms can feel so [Am]cold         [G]                 [Em]                         [A]

        [Dm]        and you can [G7]sit beside me and [Am]tell me what it's [G]worth[Em]       [A]

        [Dm]        but I hope I [G7]die before I get [Am]sold      [G]              [Em]                      [A]

        [Dm]        I hope I [G7]die before I get [Am]sold          [G]                  [Em]                          [A]

        [Dm]        I'd rather [G7]die before I get [Am]sold        [G]                [Em]                        [A]

Part G (08:22 - 08:58):

        If [Dm]you find the [C]soul that you [Bdim]lost

        [E]        frozen in a [Am]starry void

        [Dm]Take it [C]within and hope the [G]sight of blood

        can will signs of [C]life to return

        [Dm]Back to the [C]way that it [Bdim]was

        [E]        long before it [Am]made a noise

        [Dm]To keep on [C]quietly [G]reminding you

        what's never [Cmaj7]created or destroyed

Part H (08:59 - 09:11):

        [Fmaj7] x8 - [Cmaj7] x8 - [Fmaj7] x8

Part A (09:12 - 09:52):

        Same as the first Part A, A minor, C major, and Amaj7 are played with the
two top strings (B and high E) being open, but still strummed.

        [Am]        Wake as the [C]swell peaks

        the [Am]close-outs drowning the [C]birds with roars

        [Bbm]        and howls scare the [Cm]new unkindness

        that [Bbm]picks and laughs [Cm]at the carrion [Amaj7]scene

        [Am]        Forces you [C]see breathe

        can [Am]always go into [C]hiding

        [Bbm]        and wait 'til it [Cm]passes over

        or [Bbm]stay far gone for all [Cm]eternity

Let the final Cm chord ring.

Part I (09:55 - 12:10):

        [A] major x8 - [A] flat minor x8

        Repeat these two chords until the fade-out.

More songs by MGMT

Browse more →