It's Only Time

{tuning: E}
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                               I T ' S   O N L Y   T I M E   ( 2 0 0 6 )
{sot}                           T h e   O n l i n e   G u i t a r   C h o r d s
                                         D R A K E   B E L L
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{sot}                   +--------------------------PLEASE NOTE--------------------------+{eot}
                   + This file is the work of Jordan Lapping and represents his    +
                   + transcription of the album. You may only use this file for    +
                   + private study, scholarship, or research. The contents may not +
{sot}                   + be duplicated for use with other websites without written     +
                   + permission. Thank you for understanding. Enjoy.               +
                   +---------------------------------------------------------------+{eot}

                    ARTIST:   Drake Bell
                    ALBUM:    It's Only Time (2006)
                    GERNE:    Pop/Rock
                    SONGS:
                              1. Up Periscope
                              2. I Know
                              3. Do What You Want
                              4. It's Only Time
                              5. Found A Way (Acoustic)
                              6. Makes Me Happy (Acoustic)
                              7. Fool The World
                              8. Fallen For You
                              9. Rusted Silhouette
                             10. Break Me Down
                             11. End It Good (Acoustic)
                             12. [BONUS] Somehow (Acoustic)

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1.                                     U p   P e r i s c o p e
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{sot} CHORDS USED:
     [A]    [A7]   [Am]  [Am7]   [Bm]   [C]  [Cmaj9]  [C]    [C#]
e]---0----0----0----0----2----x----x----x----x----|
B]---2----2----1----1----3----1----1----5----6----|
G]---2----0----2----2----4----0----0----5----6----|
D]---2----2----2----2----4----2----0----5----6----|
A]---0----0----0----x----2----3----2----3----4----|
E]------------------3-----------------------------|{eot}

{sot}[C#m]  [Dm]   [D7]   [D7]   [E]    [Em]   [F]    [Fm]   [G]    [G7]
4----5----2----5----0----0----1----1----3----3---|
5----6----1----7----0----0----1----1----3----3---|
6----7----2----5----1----0----2----1----4----4---|
6----7----0----7----2----2----3----3----5----3---|
4----5---------5----2----2----3----3----5----5---|
--------------------0----x----1----1----3----3---|{eot}

{section: Verse 1}
  If I could h[C]ave a single wish
  I'd only w[E]ish to never miss it when you w[A]ake up and smile   [A7]
  It makes me h[A]appy w[A7]hen you st[Dm]eal a little kiss
  Before you w[Fm]ake me up to listen to the n[C]ews for a while

{section: Verse 2}
  And [Cmaj9]when you're cr[C]eeping out of bed
  I sneak a p[E]eek to see just what you were w[A]earing last night   [A7]
  Or wh[A]at was [Bm]left[C#m]over from r[Dm]ipping off your clothes
  I check to s[Fm]ee that door was closed as you were t[C]urning out the light

 TRANSITION 1:
[C]   [Cmaj9]   [Am]

{section: Pre-chorus 1}
  Whoever said [Am7]romance was [D7]over?
  R[C]oll [F]over[Fm], so [C]I c[Em]an sh[A]ow you
  Don't you w[Dm]ant me to be
              [G]       N/[C]
  The captain of your submarine?

{section: Chorus 1}
  "[G]Up p[C]eriscope" - that's w[C#]hat [D7]I say
  That's just [Bb]my way [G7]
      [C]*                     N/[C]
  Of saying that I love you (I do)

{section: Verse 3}
  My life is l[C]ike a bowl of cherries not so v[E]ery ordinary
  Overfl[A]owing with love  [A7]
  And I could n[A]ever w[A7]ant for m[Dm]ore unless our two becomes a f[Fm]our or maybe three
  If we practice it en[C]ough

 TRANSITION 2:
[C]   [Cmaj9]   [Am]

{section: Pre-chorus 2}
  Whoever said [Am/G]romance was [D7]over?
  R[C]oll [F]over[Fm], so [C]I c[Em]an sh[A]ow you
  Don't you w[Dm]ant me to be
              [G]       N/[C]
  The captain of your submarine?

{section: Chorus 2}
  "[G]Up p[C]eriscope" ("up periscope") - that's w[C#]hat [D7]I say
  That's just [Bb]my way [G7]
      [C]*                     N/[C]
  Of saying that I love you (I love you)

{section: Bridge}
  Now, I kn[C]ow that life is hard
  [C]I know that l[E]ove can break your heart
  That's j[E]ust the w[A]ay that it is
  well, b[A7]aby t[Bm]hat's a l[C#m]oad of s[Dm]mack
  Don't you know I've got your b[Fm]ack?
  What's important is the w[C]ay that we live

{section: Verse 4}
  And [Cmaj9]like the w[C]ay you like this song because it m[E]akes you hum along
  And tap your f[A]oot to the beat  [A7]
  That's the w[A]ay you m[A7]ake me f[Dm]eel when we're doing it for r[Fm]eal
  I can feel it from my h[C]ead to my feet

 TRANSITION 3:
[C]   [Am]   [Em]   [C]   [Am]

 PRE-OUTRO:
  Whoever said [Am/G]romance was [D7]over?
  R[C]oll [F]over[Fm], so [C]I c[Em]an g[A]ive you
  One more ch[Dm]ance to believe
  And h[Fm]opefully see that [C]I st[Em]ill w[A]ant you
  Don't you w[Dm]ant me to be
  The captain [G]of your submarine?

{section: Outro}
  "Up p[C]eriscope" ("up periscope") - that's what [D7]I say
  That's just [Bb]my way [G7]
  Of s[C]aying that I love you, I [Cmaj9]love y[C]ou

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2.                                          I   K n o w
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{sot} CHORDS USED:
     [A7]   [Am]   [B7]   [Bm]   [C]    [C]    [Cm] [Cmaj7]  [D]    [D7]   [D7]   [Em] Emmaj7 [Em7]  [G]    [G]    [G7]
e]---5----5----7----x----8----3----3----3----x----5----2----7----7----7----3----3----3---|
B]---5----5----7----3----8----1----4----5----7----7----1----8----8----8----3----0----3---|
G]---6----5----8----4----9----0----5----4----7----5----2----9----9----7----4----0----4---|
D]---5----7----7----4----10---2----5----5----7----7----0----9----9----9----5----0----3---|
A]---7----7----9----x----10---3----3----3----5----5---------7----6----7----5----2----5---|
E]---5----5----7---------8-------------------------------------------------3----3----3---|{eot}

 INTRO [Keyboard]:
[G]

{section: Verse 1}
  A[G]ll alone, g[Bm]uess again
  Y[G7]ou've been known to take the hand of [Cmaj7]any man
  Who will f[Cm]ill your fanta-
  -S[G]ee you there, a [Bm]big mistake
  Y[G7]ou're the pride of every fake that [Cmaj7]comes around
  This m[Cm]essed up town

{section: Pre-chorus 1}
  You k[Em]now, and I [Emmaj7]know, and I k[Em7]now
[A7]  It's always better when
  You k[Em]now, and I [Emmaj7]know, and I k[Em7]now
[A7]  It's always better when
  You f[Am]ind out we've been l[D]ying, ch[D7]eating...

{section: Chorus 1}
  B[G]aby, give me a s[B7]ign
  Give me a r[Em]eason, m[Em7]ake up your m[C]ind   [Cm]
  D[G]arling, only a f[B7]ool couldn't see thr[Em]ough us
  And k[Em7]now what we do  [C]
  (You k[Cm]now what we do)

 TRANSITION 1:
[G]

{section: Verse 2}
  J[G]ust because y[Bm]ou're a fan
  D[G7]oesn't mean you've joined the band and [Cmaj7]found a way
  To m[Cm]ake them think that y[G]ou're a star, s[Bm]illy girl
  O[G7]nly I can fool the world, it's [Cmaj7]plain to see
  'Cause you're j[Cm]ust like me

{section: Pre-chorus 2}
  You k[Em]now, and I [Emmaj7]know, and I k[Em7]now
[A7]  It's always better when
  You k[Em]now, and I [Emmaj7]know, and I k[Em7]now
[A7]  It's always better when
  You f[Am]ind out we've been l[D]ying, ch[D7]eating...

{section: Chorus 2}
  B[G]aby, give me a s[B7]ign
  Give me a r[Em]eason, m[Em7]ake up your m[C]ind   [Cm]
  D[G]arling, only a f[B7]ool couldn't see thr[Em]ough us
  And k[Em7]now what we do  [C]
  (You k[Cm]now what we do...)

 TRANSITION 2:
[G]

{section: Bridge}
[Em]  And I [Emmaj7]know, and I k[Em7]now
[A7]  It's always better when
  You k[Em]now, and I [Emmaj7]know, and I k[Em7]now (I know)
[A7]  It's always better when
  You k[Em]now, and I [Emmaj7]know, and I k[Em7]now (And I know)
[A7]  It's always better when
  You f[Am]ind out we've been l[D]ying, ch[D7]eating...

{section: Chorus 3}
  B[G]aby, give me a s[B7]ign
  Give me a r[Em]eason, m[Em7]ake up your m[C]ind   [Cm]
  D[G]arling, only a f[B7]ool couldn't see thr[Em]ough us
  And k[Em7]now what we do  [C]

{section: Outro}
  You know that it's tr[G]ue
  The th[Am]ings that you [Em]do
  I'm o[Cm]ut of my m[G]ind
  In l[D7]ove with y[C]ou   [G]

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3.                                  D o   W h a t   Y o u   W a n t
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{sot} CHORDS USED:
     [Cm]   [Eb]   [E]    [F]    [Ab]  [Ab7]  [Abm]   [Eb]  [Abm]
e]---8----x----x----x----4----4----4----x----x---|
B]---8----8----9----10---4----4----4----8----9---|
G]---8----8----9----10---5----5----4----8----8---|{eot}
{sot}D]---10---8----9----10---6----4----6----8----9---|
A]---10---6----7----8----6----6----6----x----x---|
E]---8-------------------4----4----4-------------|{eot}

{section: Verse 1}
  P[Eb]eople around the world say I'm b[F]itter
  But I can say I'm not a qu[Ab]itter  [Abm]
[Eb]  And you can't

{section: Verse 2}
  And p[Eb]eople know they don't ap[F]ologize
  That's why we have to [Ab]advertise  [Abm]
  In the p[Eb]aper ("Sunday News!")

{section: Pre-chorus 1}
  [Ab]I can't make you [Abm]stop, and listen, t[Eb]hat won't save you
[Cm]  I can't believe [Ab]everybody [Abm]wants to party [Eb]all night long
  Until the b[F]irds are singing

{section: Chorus 1}
  So [Eb]do what you wanna do, [F]be what you wanna be
  L[Ab]ive how you wanna [Abm]live
  If you w[Eb]anna be free, then you're gonna be free

{section: Verse 3}
  But p[Eb]eople, don't you know its not polite to p[F]oint and stare?
  No, that's not the way to s[Ab]how you care   [Abm]
  About the w[Eb]ay you live, but I bet you don't give a-

{section: Verse 4}
 P[Eb]eople, you've got to give it up where cr[F]edit's due
  But you only did it 'cause I t[Ab]old you to  [Abm]
  Well t[Eb]oo bad, so sad, hope I didn't make you mad

{section: Pre-chorus 2}
  [Ab]I can't make you [Abm]stop, and listen, t[Eb]hat won't save you
[Cm]  I can't believe [Ab]everybody [Abm]wants to party [Eb]all night long
  Until the b[F]irds are singing (And the b[Ab]irds are s[Abm]inging)

{section: Chorus 2}
  So [Eb]do what you wanna do, b[F]e what you wanna be
  L[Ab]ive how you wanna [Abm]live
  If you w[Eb]anna be free, then you're gonna be free

{section: Chorus 3}
  So s[Eb]ay what you wanna say, and h[F]ear what you wanna hear
  L[Ab]ive how you wanna [Abm]live
  If you w[Eb]anna be free, then you're gonna be free

{section: Bridge}
  I c[Ab]an't make you [Abm]stop, and listen, t[Eb]hat won't save you   [Cm]
  N/[C]             [Ab]        [Abm]            [Eb]
  I can't believe everybody wants to party all night long
  Until the..[F].    [Ab7]
  B[Ab]irds are- (-Yeah the b[Abm]irds are singing)

{section: Chorus 3}
  So [Eb]do what you wanna do (Do what you wanna do)
  [F]Be what you wanna be (Be what you wanna be)
  L[Ab]ive how you wanna [Abm]live (Like you are free)
  If you w[Eb]anna be free, then you're gonna be free

{section: Outro}
  So s[Eb]ay what you wanna say,[E] and h[F]ear what you wanna hear
  L[Ab]ive how you wanna (live)
  If you w[Eb]anna be f[Abm]ree, you're g[Eb]onna be f[Abm]ree
  If you w[Eb]ant [Abm]to be, [Eb]got [Abm]to be
  H[Eb]ave[Abm] to [Eb]be [Abm]noth[Eb]ing [Abm]but f[Eb]ree...

{section: Outro}
MESSAGE:
[Eb]  "Please hold for a very important message..."

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4.                                D o   W h a t   Y o u   W a n t
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{sot} CHORDS USED:
     [A]    [A5]   [A5]   [B]  [Bsus4] [Eb5]  [E5]  [E5] [Eb]  [F#]  [Ab5]
e]---0----x----x----x----0----x----x----x----x----x---|
B]---2----x----x----4----0----x----x----x----x----x---|
G]---2----14---2----4----4----8----9----9----3----13--|
D]---2----14---2----4----4----8----9----9----4----13--|
A]---0----12---0----2----2----6----7----6----4----11--|
E]-------------0---------x--------------0----x--------|{eot}

 INTRO [slide first chord]:
[E]   [F#]   [Asus2]   [Bsus4]
[E]   [Asus2]   [Bsus4]

{section: Verse 1}
[E]  Where did you g[A]o when I arr[E]ived?
  What was that l[A]ook, saw [B]in your eyes?
[E]  Nothing [A]is what it app[E]ears
  I'm a bit more r[A]efined in my [Bsus4]recent years

{section: Pre-chorus 1}
[E]  She said I [Asus2]wasn't even h[E]ere, she said I [Asus2]wasn't [Bsus4]even
[E]  She said I [Asus2]wasn't even h[E]ere, she said I [Asus2]wasn't

{section: Chorus 1}
[E]  It's only t[A]ime, unt[B]il you find o[E]ut
  It's only t[A]ime, unt[B]il you find o[E]ut
  It's only t[A]ime, unt[B]il you find o[E]ut
  It's only t[A]ime, unt[B]il you find out

 TRANSITION 1:
[E]   [A]   [B]

 INTERLUDE [slide first chord]:
[Eb5]   [E5]   [E5]   [E5]   [E5]
[Ab5]   [A5]   [A5]   [A5]   [A5]

{section: Verse 2}
[E]  Do you bel[A]ieve in things that you h[E]ear
  Maybe you're wr[A]ong, it i[B]sn't clear
[E]  Another exc[A]use for me to ign[E]ore
  It's not quite as s[A]imple as it [Bsus4]was before

{section: Pre-chorus 2}
[E]  She said I [Asus2]wasn't even h[E]ere, she said I [Asus2]wasn't [Bsus4]even
[E]  She said I [Asus2]wasn't even h[E]ere, she said I [Asus2]wasn't

{section: Chorus 2}
[E]  It's only t[A]ime, unt[B]il you find o[E]ut
  It's only t[A]ime, unt[B]il you find o[E]ut
  It's only t[A]ime, unt[B]il you find o[E]ut
  It's only t[A]ime, unt[B]il you find out

 TRANSITION 2:
[E]   [A]   [B]

 INTERLUDE [slide first chord]:
[Eb5]   [E5]   [E5]   [E5]   [E5]
[Ab5]   [A5]   [A5]   [A5]   [A5]

{section: Bridge}
[E5]  I'm giving in[E5], i[Eb]t's coming out
[A5]  You gave it away, I'm thinking about
[E5]  Not taking it[E5] - [Eb]you're faking it
[A5]  You're such a sad girl, you sad girl...

{section: Verse 3}
[E]  Where did you l[A]eave, why did you g[E]o?
  What were you th[A]inking? I'd l[B]ike to know
[E]  If walking aw[A]ay is all it's ab[E]out
                   [A]               N/[C]
  Then why did it take so long to figure out?

{section: Pre-chorus 3}
[E]  She said I [Asus2]wasn't even h[E]ere, she said I [Asus2]wasn't [Bsus4]even
[E]  She said I [Asus2]wasn't even h[E]ere, she said I [Asus2]wasn't

{section: Chorus 3}
[E]  It's only t[A]ime, unt[B]il you find o[E]ut
  It's only t[A]ime, unt[B]il you find o[E]ut
  It's only t[A]ime, unt[B]il you find o[E]ut
  It's only t[A]ime

{section: Outro}
[E]  It's only [A]tim[B]e
[E]  It's only [A]tim[B]e
[E]  It's only [A]tim[B]e
[E]  It's only.[A].. [B]       [E]

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5.                           F o u n d   A   W a y   ( A c o u s t i c )
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{sot} CHORDS USED:
     [A]    [A]    [Am]   [A5]  [A] G#  [B]    [C#]  [C#m7]  [E]    [E]    [E5]  [E] D# [F#7]
e]---0----5----5----x----0----x----4----4----0----7----x----6----2---|
B]---2----5----5----x----2----4----6----5----0----9----x----9----2---|
G]---2----6----5----2----2----4----6----4----1----9----x----9----3---|
D]---2----7----7----2----2----4----6----6----2----9----2----9----2---|
A]---0----7----7----0----x----2----4----4----2----7----2----6----4---|
E]--------5----5----0----4-------------------0---------0---------2---|{eot}

{section: Verse 1}
  N/[C]   [E]         [E/D#]            [C#]     [B]
  Well, I never thought that it'd be so simple but
  [A]I found a [A/Ab]way, I f[F#7]ound a way [B]
  And [E]I always th[E/D#]ought that it'd[C#] be too c[B]razy but
  [A]I found a [A/Ab]way, I f[F#7]ound a way [B]

{section: Pre-chorus 1}
[C#m7]  If you [F#7]open up your m[A]ind...
  (S[Am]ee what's inside)

{section: Chorus 1}
[E]  It's gonna t[F#7]ake some time to r[A]ealign ([Am]Who are y[E]ou?)
  But if you l[F#7]ook inside, I'm s[A]ure you'll find ([Am]Who are y[E]ou?)
  Over your sh[F#7]oulder, you know that I t[A]old you
  I'll always be picking you up when you're d[F#7]own
  So just turn ar[A]ound...[Am]

{section: Verse 2}
  N[E]ow that I [E/D#]know that [C#]anything's p[B]ossible
  [A]I found a [A/Ab]way, I f[F#7]ound a way [B]
  N[E]o-one can b[E/D#]reak what is [C#]so unbr[B]eakable
  [A]I found a [A/Ab]way, I f[F#7]ound a way [B]

{section: Pre-chorus 2}
[C#m7]  If you [F#7]open up your m[A]ind...
  (S[Am]ee what's inside)

{section: Chorus 2}
[E]  It's gonna t[F#7]ake some time to r[A]ealign ([Am]Who are y[E]ou?)
  But if you l[F#7]ook inside, I'm s[A]ure you'll find ([Am]Who are y[E]ou?)
  Over your sh[F#7]oulder, you know that I t[A]old you
  I'll always be picking you up when you're d[F#7]own
  So just turn ar[A]ound...[Am]

{section: Bridge}
[E5]  N[A5]o-one cares[E5] wh[A5]at you give
[E5] [A5]                 N/[C]
  You know you gotta live like you wanna live
[E5]  Wh[A5]en it's time[E5], t[A5]o be free
[E5]  [A5]               N/[C]
  You know you gotta be what you wanna be

{section: Interlude}
[E]   [E/D#]   [C#]   [B]   [A]    [A/Ab]   [F#7]   [B]

{section: Pre-chorus 3}
[C#m7]  If you [F#7]open up your m[A]ind...
  (S[Am]ee what's inside)

{section: Outro}
[E]  It's gonna t[F#7]ake some time to r[A]ealign  [Am]
[E]  But if you l[F#7]ook inside, I'm s[A]ure you'll find (I'm sure you'll f[Am]ind)
[E]  Over your sh[F#7]oulder, you know that I t[A]old you
  I'll always be picking you up when you're d[F#7]own
  So just turn ar[A]ound...[Am]
(Ooh-ooooh-oh-ohhhhhhh.[E]..)

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6.                        M a k e s   M e   H a p p y   ( A c o u s t i c )
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{sot} CHORDS USED:
     [Am]   [C]  [Cmaj9]  [Dm]   [D7]   [F]  [Fadd9]
e]---0----3----3----1----2----1----3---|
B]---1----1----1----3----1----1----1---|
G]---2----0----0----2----2----2----2---|
D]---2----2----0----0----0----3----3---|
A]---0----3----2--------------3--------|
E]----------------------------1--------|{eot}

{sot}   +-----------------------------NOTES-----------------------------+{eot}
   + During the verses, use the middle finger to perform pull-off  +
   + and hammer-on techniques on the G string while holding the    +
   + Fadd9 chord. Also ensure that the little finger is applied to +
{sot}   + third fret of the high e string during the C, Cmaj9 and Fadd9 +
   + chords.                                                       +
   +---------------------------------------------------------------+{eot}

{section: Intro}
[C]   [Fadd9]

{section: Verse 1}
  H[C]ello, [Fadd9]let's go, ev[C]erybody [Fadd9]must know
  L[C]ove's in my he[Fadd9]art like a b[C]omb, it's bl[Fadd9]owing a song
  Inside I'm singing, s[Fadd9]unshine that you're bringing now
  And it m[C]akes me [Fadd9]happy       [C]               [Fadd9]

{section: Verse 2}
  L[C]isten to the [Fadd9]radio pl[C]aying back in [Fadd9]stereo
  S[C]ounds like my f[Fadd9]avorite s[C]ong, I'm h[Fadd9]umming along
  My head is ringing, and [Fadd9]I just can't stop singing now
  'Cause it m[C]akes me [Fadd9]happy       [C]               [Fadd9]
  It m[C]akes me [Fadd9]happy       [C]               [Fadd9]

{section: Chorus 1}
  You're [D7]everything I need, h[Fadd9]anded from above
 [D7] I can't get enough [Fadd9]of your love
  'Cause it m[C]akes me [Fadd9]happy       [C]               [Fadd9]
  Yeah, m[C]akes me [Fadd9]happy!      [C]

{section: Verse 3}
  L[C]iving in a d[Fadd9]ay-dream, I'll sh[C]ow you what it [Fadd9]all means
  Sp[C]ending some [Fadd9]time in the s[C]un, let's [Fadd9]get up and run
  It's just beginning, [Fadd9]I just can't stop singing now
  'Cause it m[C]akes me [Fadd9]happy       [C]               [Fadd9]

{section: Chorus 2}
  It's l[D7]ike a fantasy [Fadd9]that you never find
  R[D7]ight in front of me [Fadd9]all the time
  And it m[C]akes me [Fadd9]happy

 TRANSITION:
[C]   [Fadd9]
[C]   [Cmaj9]

{section: Bridge}
[Am]  I want it [F]all but not too m[Am]uch, I wanna f[F]eel the way you t[Dm]ouch me
  I'm the kind of guy who's a[F]lways there to come and find you...

{section: Interlude}
[C]   [Fadd9]

 CHOROUS 3:
  S[D7]ave the rainy days [Fadd9]for another time
  [D7]I'm just here to say [Fadd9]read between the lines
  [D7]I'm so glad that you're [Fadd9]mine

{section: Outro}
  'Cause you m[C]ake me h[Fadd9]appy
[C]  You make me [Fadd9]wanna sing
  D[C]o do [Fadd9]dododud[C]u
  do do [Fadd9]du du du du
  D[C]o do [Fadd9]dododud[C]u
  do [Fadd9]do doo
  D[C]o do [Fadd9]dododud[C]u
  do do [Fadd9]du du du du
  D[C]o do [Fadd9]dododud[C]u
  do [Fadd9]do doo
  D[C]o do [Fadd9]dododud[C]u
  Do du [Fadd9]du do du d[C]ooo...

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7.                                   F o o l   T h e   W o r l d
{sot}xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx{eot}

{sot} CHORDS USED:
     [Bb]   [C7]   [Cm]   [D7]   [F]    [F#]   [Gm]    [Gm]   [D]   [Bb]   [Gm6] [Ebmaj7]
e]---x----x----3----x----x----x----3--|--x----x----x----x----x---|
B]---6----8----4----3----1----2----3--|--3----3----3----3----3---|
G]---7----9----5----5----2----3----3--|--3----3----3----3----3---|
D]---8----8----5----4----3----4----5--|--5----4----3----2----1---|
A]---8----10---3----5----3----4----5--|--x----x----x----x----x---|
E]---6----8--------------1----2----3--|--------------------------|{eot}

{section: Verse 1}
[Gm]  Right in front of me [D]
  A couple m[Bb]akes what could melt the s[Gm6]now
[Gm]  Making fun of me [D]
  Single l[Bb]ook never cut me [Gm6]so

{section: Chorus 1}
  And I [Cm]go [F]  to s[Bb]ave the conver[Gm]sation
  I k[Cm]now [F]  a d[Bb]eeper contempl[Gm]ation
  Is [Cm]all I n[D7]eed to m[Gm]ake believe
  Every[Cm]one would love me [D7]if I could fool the world

 TRANSITION 1:
[Gm]    [Bb]    [Gm6]   [Ebmaj7]

{section: Verse 2}
[Gm]  Walk away from me [D]
  I see the c[Bb]hange in the atmos[Gm6]phere
[Gm]  What a way to be ([D]to be)
  To turn the p[Bb]age, just to make it c[Gm6]lear

{section: Chorus 2}
  And I [Cm]go [F]  to s[Bb]ave the conver[Gm]sation
  I k[Cm]now [F]  a d[Bb]eeper contempl[Gm]ation
  Is [Cm]all I n[D7]eed to m[Gm]ake believe
  Every[Cm]one would love me [D7]if I could fool the world

 TRANSITION 2:
[Gm]    [Bb]    [Gm6]   [Ebmaj7]

{section: Interlude}
  To f[Cm]ear   [F]
  Or to dis[Bb]app[D7]-e-[Gm]ar
  What a waste of t[Cm]ime   [D7]

 TRANSITION 3:
[D7]   [Bb]

{section: Verse 3}
[Gm]  What a troubled mind [D]
  A fortune f[Bb]ind for another [Gm6]day
[Gm]  As you're passing by [D]
  You look be[Bb]hind to see what I would [Gm6]say

{section: Chorus 3}
  And I [Cm]go [F]  to s[Bb]ave the conver[Gm]sation
  I k[Cm]now [F]  a d[Bb]eeper contempl[Gm]ation
  Is [Cm]all I n[D7]eed to m[Gm]ake believe
  Every[Cm]one would love me ([D7]If I could fool the world)
  So I [Cm]go [F7]   to s[Bb]ave the conver[Gm]sation
  I k[Cm]now (I k[F]now) a d[Bb]eep contemp[Gm]lation
  Is [Cm]all I n[D7]eed to m[Gm]ake b[F]e-li[C7]eve
[Cm]  Everyone would love me[D7], if I could fool... the w[Gm]orld

{section: Bridge}
[Cm]  I can't survive another [Gm]day in the life,[Cm]   without our day in the [Gm]sun
[Cm]  Before you touch me here's a w[Gm]ord of advice; [Cm]   if I were you I would [Gm]run
 (Get it, come get it, come get it, come get it)  [Gm]
   N/[C]                        [Cm]
 (So won't you tell me why it is...)
  That every corner of my h[Gm]ead is a home,[Cm]   but every fool is the s[Gm]ame
[Cm]  It'd be so tragic if you l[Gm]eft me alone,[Cm]   but left me no-one to b[Bb]lame

{section: Bridge 2}
  Well d[F#]on't it make you w[F]onder what g[Bb]ot us here?
  The c[F#]overs that were [F]under could d[Bb]isappear
  P[F#]romises k[F]eep us in c[Gm]hains, my dear...

{section: Outro}
[Gm]  If I could fool the world, then[Gm] no-one would know where I've been
  (What am I f[Gm]eeling?)
  If I could fool the world, then[Gm] no-one would know where I've been
  (What am I f[Gm]eeling?)
  If I could fool the world, then[Gm] no-one would know where I've been  [Gm]

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8.                                   F a l l e n   F  o r   Y o u
{sot}xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx{eot}

{sot} CHORDS USED:
     [Am]   [Bb]   [Bb]   [Bb]  [Bbm]   [C]   [Dm7]   [F]    [F]    [Gm]
e]---5----6----x----x----1----8----5----1----x----3---|
B]---5----6----15---3----2----8----6----1----10---3---|
G]---5----7----15---3----3----9----5----2----10---3---|
D]---7----8----15---3----3----10---7----3----10---5---|
A]---7----8----13---1----1----10---5----3----8----5---|
E]---5----6-------------------8---------1---------3---|{eot}

{sot}   +---------------------NOTES : FALLEN FOR YOU--------------------+{eot}
   + During the CHORUS, often there are individual notes that are  +
   + plucked at certain intervals. When ever you see any chords    +
   + referrenced between a pair of [square brackets] during the    +
   + chorus, it will be those individual notes that are plucked.Of +
{sot}   + course, it is not essential to do so but this is what Drake   +
   + does - plus, it adds a nice riff.                             +
   +---------------------------------------------------------------+{eot}

{section: Intro}
[F]    [Bb]

{section: Verse 1}
[F]  The first time I s[Bb]aw you, I thought you were b[F]arefoot    [Bb]
  Your h[F]air was pulled back, your jelly sh[Bb]oes
                     [F]         [Bb]    N/[C]
  I was wondering if I should lie... about my age

 TRANSITION 1:
[F]    [Bb]

{section: Verse 2}
[F]  Buddy Holly gl[Bb]asses on a Bettie Page n[F]egative    [Bb]
  You're l[F]ookin' so classic, handp[Bb]icked by some Hollywood ex[F]ecutive
        [Bb]    N/[C]
  Just like.. Norma Jean

{section: Pre-chorus 1}
[Dm7]   [F]   [Gm]   [F]

{section: Chorus 1}
[Bb]           [Dm7]               [Gm]        [F]      [[F] - [G] - [A]]
  I can't believe I've fallen for you
[Bb]  I can't bel[Dm7]ieve I've fallen f[Gm]or you    [F]

 TRANSITION 2:
  Way-[F]oh, way-[Bb]oh
  Way-[F]oh, way-[Bb]oh

{section: Verse 3}
[F]  The next time I s[Bb]aw you, you asked for a r[F]eason
  I let my l[Bb]ove come down
  N[F]ow you're spending all your time th[Bb]inkin' how you're gonna get [F]even
       [Bb]    N/[C]
  And I'm... by myself

{section: Pre-chorus 2}
[Dm7]   [F]   [Gm]   [F]

{section: Chorus 2}
[Bb]           [Dm7]               [Gm]         [F]      [[F] - [G] - [A]]
  I can't believe I've fallen for you
[Bb]           [Dm7]               [Gm]         [F]      [[F] - [G] - [A]]
  I can't believe I've fallen for you
[Bb]           [Dm7]              [Gm]      [F]      [[F] - [G] - [A]]
  I can't believe I've fallen... for you
[Bb]  I can't bel[Dm7]ieve I've fallen f[Gm]or you

{section: Interlude}
[Gm]   [Dm7]   [Bb]   [C]   [F]

{section: Bridge}
([F]*)    [Bb]      [F]*     [Bb]
  Good morning now
  It's a.[F].. good m[Bb]orni[F]ng    [Bb]        [Bbm]

 TRANSITION 3:
[F]    [Bb]

{section: Verse 4}
[F]  The Hollywood [Bb]ending, it never came e[F]asy (It never came e[Bb]asy)
  The br[F]ide-to-be can plainly see, and [Bb]now she said she's ready to [F]kill me
         [Bb]    N/[C]
  Well, I'm... so afraid

{section: Pre-chorus 3}
[Dm7]   [F]   [Gm]   [F]

{section: Chorus 3}
[Bb]           [Dm7]               [Gm]        [F]      [[F] - [G] - [A]]
  I can't believe I've fallen for you
[Bb]           [Dm7]               [Gm]        [F]      [[F] - [G] - [A]]
  I can't believe I've fallen for you
[Bb]  I can't bel[Dm7]ieve I've fallen.[Gm].. foooo[F]or [F]yo[Gm]oou[Am]uu
[Bb]  I can't bel[Dm7]ieve I've fallen f[Gm]or you

{section: Outro}
[F]    [C]   [Dm]   [F]   [Gm]   [Dm7]    [A#]

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9.                                R u s t e d   S i l h o u e t t e
{sot}xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx{eot}

{sot} CHORDS USED:            Guitar   |   Keyboard
     [Bb]   [D7]   [Dm7]  [Eb]   [F]    [Gm]      [Bb]  [Gm]  [Bbmaj7] [Cm]   [F7]
e]---6----5----5----x----1----3---|---x----x----x----8----x---|
B]---6----7----6----8----1----3---|---6----8----10---8----6---|
G]---7----5----5----8----2----3---|---7----7----7----8----8---|
D]---8----7----7----8----3----5---|---8----8----8----10---7---|
A]---8----5----5----6----3----5---|---x----x----x----10---8---|
E]---6-------------------1----3---|------------------8----x---|{eot}
                                  |

 INTRO [keyboard]:
[Bb] - [Gm] - [Bbmaj7] no 5th - [Gm]* - [Bbmaj7] - [Gm]* (x4)

{section: Verse 1}
[Bb]  A rusted s[Gm]ilhouette em[Bbmaj7]bracing burning [Gm]fil [Bbmaj7]- a - m[Gm]ent
[Bb]  A verbal [Gm]avalanche is s[Bbmaj7]erving up your [Gm]in -[Bbmaj7] no - c[Gm]ence
  [Cm]I say, "Wh[F7]ere'd you lose your m[Bb]ind?"

 TRANSITION 1:
[Bb]   [Gm]    [Bbmaj7]   [Gm]    [Bbmaj7]   [Gm]

{section: Verse 2}
[Bb]  A brush with s[Gm]ynergy, you [Bbmaj7]come back all de[Gm]lir [Bbmaj7]- i - o[Gm]us
[Bb]  A Texas r[Gm]ance, a little [Bbmaj7]dance, they'll take you [Gm]ser [Bbmaj7]- i - o[Gm]us
  [Cm]I say, "Wh[F7]ere'd you lose your m[Bb]ind?"

 TRANSITION 2:
[Bb]   [Gm]    [Bbmaj7]   [Gm]    [Bbmaj7]   [Gm]

{section: Chorus 1}
[D7]  So you're on the rise; the w[Gm]ait is over
  H[D7]ey there, lucky one, I'm c[Gm]oming over
  Well [D7]I would like to take some time
  And t[Gm]ell you what I really want to say

{section: Bridge 1}
  And [D7]so, my dear, it seems so clear
  It w[Gm]ouldn't really m[Eb7]atter anyw[D7]ay (It wouldn't)

 TRANSITION 3 [keyboard]:
[Bb]    [Gm]    [Bbmaj7]   [Gm]    [Bbmaj7]   [Gm]

{section: Verse 3}
[Bb]  Standing in the b[Gm]athroom, ref[Bbmaj7]lections that you'd [Gm]nev [Bbmaj7]- er   [Gm]guess
[Bb]  Who'd have [Gm]ever thought that [Bbmaj7]you would end up s[Gm]uch [Bbmaj7]  a   m[Gm]ess?
  [Cm]I say, "Wh[F7]ere'd you lose your m[Bb]ind?"

 TRANSITION 4:
[Bb]   [Gm]    [Bbmaj7]   [Gm]    [Bbmaj7]   [Gm]

{section: Verse 4}
  But [Bb]  Am[Gm]y, s[Bbmaj7]ay you'll st[Gm]ay  [Bbmaj7]with  m[Gm]e
[Bb]  Am[Gm]y, s[Bbmaj7]ay you'll st[Gm]ay  [Bbmaj7]with  m[Gm]e
  I[Cm]'m all, [F7]I am all
  Yes I[Cm]'m all, [F7]I am all al[Bb]one

 TRANSITION 5:
[Bb]   [Gm]    [Bbmaj7]   [Gm]    [Bbmaj7]   [Gm]

{section: Chorus 2}
[D7]  So you're on the rise; the w[Gm]ait is over
  H[D7]ey there, lucky one, I'm c[Gm]oming over
  Well [D7]I would like to take some time
  And t[Gm]ell you what I really want to say

{section: Bridge 2}
[D7]  Say that I'm liking the company
[Dm7]  More than this sympathy symphony
[D7]  When I take what you give to me it's.[Dm7].. easy
  But the l[D7]onger I wait for this moment to break me

{section: Outro}
  I'm f[Eb]ine living a l[Bb]ie
  Wondering w[D7]hy, thinking it's [Gm]o-v[F]er
  N[Eb]ow what have I d[Bb]one?
  Maybe I j[D7]ust shouldn't have t[Gm]old h[F]er to [Eb]be...
  To [Bb]be..[F]. tr[Bb]ue   [Dm7]         [Gm]

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10.                                   B r e a k   M e   D o w n
{sot}xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx{eot}

{sot} CHORDS USED:
     [Bb]  [Bbm]   [Bb]   [Cm]   [Eb]   [Dm]   [Dm7]  [F]    [G]    [Gm]
e]---6----6----x----3----x----5----5----1----3----3---|
B]---6----6----3----4----8----6----6----1----3----3---|
G]---7----6----3----5----8----7----5----2----4----3---|
D]---8----8----3----5----8----7----7----3----5----5---|
A]---8----8----1----3----6----5----5----3----5----5---|
E]---6----6-----------------------------1----3----3---|{eot}

 VERSE 1 [keyboard]:
[F]  Break me down enough I'll take your s[Bb]ide
  And [Bbm]all your attitude
  [F]I would like for you to just dec[Bb]ide
  On [Bbm]what you're gonna do

 TRANSITION 1:
[F]   [Bb]   [Cm]
[F]   [Bb]   [Cm]   [Bb]

{section: Verse 2}
[F]  Maybe I'll decide I've had en[Bb]ough
  Of [Bbm]what you put me through
  Th[F]en perhaps you could return my st[Bb]uff
  And [Bbm]all my records too

 TRANSITION 2:
[F]   [Bb]   [Cm]
[F]   [Bb]   [Cm]   [Bb]

  "My 78s and my 45s - give 'em back!"

 INTERLUDE [trumpets]:
[F]   [Bb]   [Bbm]

{section: Interlude}
[Dm]   [F]   [Gm]   [F]   [Bb]   [Cm]

{section: Chorus}
 [Cm] I can't believe I've f[F]all[Bb]en f[Cm]or you
 [Cm] A rusted silhouette embracing burning [F]fi[Bb]lam[Cm]ent
 [Cm] I can't believe I've f[F]all[Bb]en f[Cm]or you
 [Cm] A verbal avalanche is s[Bb]erving up your innocence

{section: Outro}
  So b[F]ye, baby b[G]ye
  Don't t[F]ry, baby t[G]ry
  You can d[F]o what you want, stay for a while
  Kn[Eb]ow at the end of the d[Bb]ay
  I still [Dm7]make [Gm]you sm[F]ile...

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11.                           E n d   I t   G o o d   ( A c o u s t i c )
{sot}xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx{eot}

{sot} CHORDS USED:
    [A13]  [Bb13] [Bm7]  [B13]   [E9]  [F#7]  [F#9]  [G13]  [Ab13]
e]---5----6----2----7----7----2----9----3----4---|
B]---7----8----3----9----7----2----9----5----6---|
G]---6----7----2----8----7----3----9----4----5---|
D]---5----6----4----7----6----2----8----3----4---|
A]---7----8----2----9----7----4----9----5----6---|
E]---5----6---------7---------2----x----3----4---|{eot}

{sot}   +----------------NOTES : END IT GOOD (ACOUSTIC)-----------------+{eot}
   + When playing any of the #9 chords (E9 or F#9), Drake often    +
   + alternates the bass note of these chords while strumming.     +
   + He does this by changing the bass note on the A string to the +
   + low E string. In order to do this he also moves his middle    +
   + finger by placing it on the fifth or sixth strings depending  +
   + on the necessary bass note he wishes to achieve. The specific +
   + bass order he uses after changing to any of the #9 chords is  +
   + 5th string, 6th string, 5th string, 6th string [then change   +
{sot}   + to the next chord in the sequence]. This makes the song sound +
   + much more vibrant and "alive".                                +
   +---------------------------------------------------------------+{eot}

 NARRATION:
 " I'm overjoyed like Mildred Davis and Harold Lloyd
  'Cause baby, you've started something
   Baby, you've started something good... "

{section: Intro}
[A13]   [F#9]   [B13]   [E9]

{section: Verse}
  [A13]I'm overj[F#9]oyed like Mildred D[B13]avis and Harold L[E9]loyd
  'Cause baby, y[A13]ou've started s[F#9]omething
  Oh and[B13] I, I[E9]'m gonna end it g[A13]ood

 TRANSITION:
[Ab13]   [G13]

{section: Pre-chorus 1}
  [F#7]Now that it's over, I'm j[Bm7]ust like Howard Hughes
  [E9]Not quite as crazy, [A13]I've just got a sh[C#7]orter fuse
  L[F#7]ike Burns and Gracie, [Bm7]you keep feeding lines
  W[E9]ell, alright, we're out of time - I guess I'll just say goodnight

{section: Chorus 1}
 'Cause [A13]you've started s[F#9]omething
  Oh and[B13] I, I[E9]'m gonna end it g[A13]ood

{section: Interlude}
[A13]   [F#9]   [B13]   [E9]

 TRANSITION 2:
[Ab13]   [G13]

{section: Pre-chorus 2}
  [F#7]Now that it's over, I'm j[Bm7]ust like Howard Hughes
  [E9]Not quite as crazy, [A13]I've just got a sh[C#7]orter fuse
  Y[F#7]ou're no B.B. Daniels, give s[Bm7]omeone else a thrill
  W[E9]ell, alright, I guess she will - 'cause I'm no Cecil B. Demille

{section: Chorus 2}
  Y[A13]ou've started s[F#9]omething, baby,[B13] I - No, I
  Well, we're [E9]all gonna end it good

{section: Outro}
{sot}                             [Bb13] [A13]
e]----------------------------6---5~~~--|
B]----------------------------6---5~~~--|
G]----------------------------7---6~~~--|
D]--x-x--4-4--4-4--4-4--4\5---8---7~~~--|
A]--4-4--4-4--5-5--6-6--6\7---8---7~~~--|
E]--5-5--x-x--x-x--x-x--x-----6---5~~~--|{eot}

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12.  [ B O N U S ]                S o m e h o w   ( A c o u s t i c )
{sot}xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx{eot}

{sot} CHORDS USED:
     [Am]   [B7]   [C]   [C7] Cdim7 [Cmaj9]  [Em]  [Em6]  [Em7]   [G]    [G]    [G7]
e]---0----1----0----0----x----0----0----0----7----3----3----3---|
B]---1----0----1----1----4----1----0----5----8----3----3----3---|
G]---2----2----0----3----2----0----0----4----7----0----4----4---|
D]---2----1----2----2----4----0----2----5----9----0----5----3---|
A]---0----2----3----3----3----2----2----4----7----2----5----5---|
E]---------------------------------0----x---------3----3----3---|{eot}

{sot}   +------------------NOTES : SOMEHOW (ACOUSTIC)-------------------+{eot}
   + During the INTRO an Em7 chord is played at the seventh fret.  +
   + Often, Drake will barrÈ the seventh fret with the index finger+
   + and immediately hammer-on with the remaining two fingers in   +
{sot}   + the appropriate positions. This gives an interesting dimention+
   + which sounds almost like an echo.                             +
   +---------------------------------------------------------------+{eot}

{section: Intro}
[Em]   [B7]   [Cdim7]   [Em]    [Em7]
[Em]   [B7]   [Cdim7]   [Em]

{section: Verse 1}
  She s[Em]tares at the m[B7]oon
  Her r[Cdim7]ibbons out of t[Em]une
  M[Em]emories of the p[B7]ast
  At the b[Cdim7]ottom of her gl[Em]ass     [Em7]

{section: Verse 2}
  And r[Em]esting on her ch[B7]eek
  The i[Cdim7]mprint of his r[Em]ing
  A s[Em]ymbol of the w[B7]eak
  Comm[Cdim7]issioned by the k[Em]ing

{section: Pre-chorus 1}
[Am]  Did he tie yo[Cmaj9]u down[C]?      [Cmaj9]
[Am]  Did you make a[Cmaj9] sound[C]?

{section: Chorus 1}
  [G]She f[B7]alls to her kn[Em]ees screami[C]ng
  God, please![G] Make s[B7]omething of [Em]me       [C]
  'Cause I've n[G]ever wanted anything like wh[G7]at I wanna be right n[C]ow...
  An [Em6]angel again, an a[C]ngel again, somehow

{section: Interlude}
[Em]   [B7]   [Cdim7]   [Em]    [Em7]
[Em]   [B7]   [Cdim7]   [Em7]

{section: Verse 3}
  She r[Em]emembers his old b[B7]oots
  And the s[Cdim7]hotgun that he sh[Em]oots
  And [Em]all that she could t[B7]ake
  Lies at the b[Cdim7]ottom of a l[Em]ake

{section: Verse 4}
  So l[Em]ift your cig and d[B7]rag
  As you f[Cdim7]igure out a p[Em]lan
  To h[Em]ide it all aw[B7]ay
  How could she [Cdim7]ever love this m[Em]an?

{section: Pre-chorus 2}
  D[Am]id you weigh him [Cmaj9]dooooooo[C]oown?  [Cmaj9]          [Am]
  Did he make a [Cmaj9]sooooou[C]uuu[C7]nd?

[Am]  Did you weigh hi[Cmaj9]m down[C]?      [Cmaj9]
[Am]  Did he make a[Cmaj9] sound[C]?      [C7]

{section: Chorus 2}
  [G]She f[B7]alls to her kn[Em]ees screami[C]ng
  God, please![G] Make s[B7]omething of [Em]me       [C]
  'Cause I've n[G]ever wanted anything like wh[G7]at I wanna be right n[C]ow...  [C7]
  An [Em6]angel again, an a[C]ngel again, somehow

{section: Bridge}
[Am]  And when[Cmaj9] you c[C]arry weight in [Cmaj9]your l[Am]ife
  And all[Cmaj9] the pl[C]ans you make in [Cmaj9]your l[Am]ife
  Th[Cmaj9]e orig[C]inal dec[C7]ision was right!

{section: Chorus 3}
[G]  She f[B7]alls to her kn[Em]ees screami[C]ng
  God, please![G] Make s[B7]omething of [Em]me       [C]
  'Cause I've n[G]ever wanted anything like wh[G7]at I wanna be right n[C]ow...  [C7]
  An [Em6]angel again, an a[C]ngel again, an [Em6]angel again...

{section: Outro}
[C]   [C7]   [Em]

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                                      A n y   Q u e s t i o n s ?
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Lastly, the content here is as correct as I can get it. I've tabbed this out in
the manner which Drake performs it; if you prefer to perform it different then
that is absolutely fine. However, 100% accuracy cannot ever be ensured, but a good
90% of the content in here certainly is.

Thanks for reading guys, I hope this proves useful!

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                                            T H E   E N D
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