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Oblivion

Briggs
Version1
90

Chords in this song

Strum
D-DU-UDU
 Crept up to the edge of exhaustion
 a platoon  of memories  rush in.
 
 Does salvation come to everyone
 when you separate  the body  from the mind?
 Temptation  can drive a man insane
only  with himself to blame.
 And I’m standing  on the edge of oblivion,
 standing  on the edge of oblivion.
 And I’ll put  my best foot forward,
 put my best foot forward.
 It’s impossible to pretend all is well
when  life is organized  by fear.
 Wrapped up in a neatly packaged hell
and  the reason still  remains unclear.
 I’ve mastered  the art of complications
 ‘til every  possibility’s been named.
 And I’m standing  on the edge of oblivion,
Standing  on the edge of oblivion.
Standing  on the edge of oblivion.
 And I’ll put  my best foot forward,
 put my best foot forward.
 ]  (x2)
 With a wealth  of disappointment stacking high
 on a foundation  built on who’s to blame.
 It’s leveled  when you find the victims
 and the perpetrators  are one in the same.
Standing  on the edge of oblivion.
Standing  on the edge of oblivion.
Standing  on the edge of oblivion.
 And I’ll put  my best foot forward,
 put my best foot forward.
 ]  (x4) fade out...
 Ii'm pretty sure this is right..
 Sam

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Readable chord sheet for Oblivion by Briggs

[C]               [c/B]        [Am]
Crept up to the edge of exhaustion

a [F]platoon of [Am]memories rush [G]in.

      [C]        [c/B]          [Am]
Does salvation come to everyone

when you [F]separate the [Am]body from the m[G]ind?

Temp[Em]tation can drive a man in[Am]sane

[F]only with himself to [G]blame.

And I’m st[C]anding on the edge of ob[Am]livion,

s[C]tanding on the edge of ob[Am]livion.

And I’ll p[G]ut my best foot forward,

put my best foot forward.

[C]  [c/B]  [Am]    [F]  [Am]  [G]

[C]                    [c/B]          [Am]
It’s impossible to pretend all is well

[F]when life is [Am]organized by [G]fear.

[C]                [c/B]            [Am]
Wrapped up in a neatly packaged hell

[F]and the reason [Am]still remains un[G]clear.

I’ve [Em]mastered the art of compli[Am]cations

‘til [F]every possibility’s been [G]named.

And I’m [C]standing on the edge of ob[Am]livion,

[C]Standing on the edge of ob[Am]livion.

[C]Standing on the edge of ob[Am]livion.

And I’ll [G]put my best foot forward,

put my best foot forward.

] [C] [c/B] [Am]   [F] [Am] [G]  (x2)

With a [Em]wealth of disappointment stacking [Am]high

on a [F]foundation built on who’s to [G]blame.

It’s [Em]leveled when you find the vi[Am]ctims

and the [F]perpetrators are one in the [G]same.

[C]Standing on the edge of ob[Am]livion.

[C]Standing on the edge of ob[Am]livion.

[C]Standing on the edge of ob[Am]livion.

And I’ll [G]put my best foot forward,

put my best foot forward.

] [C] [c/B] [Am]   [F] [Am] [G] (x4) fade out...

Ii'm pretty sure this is right..

Sam

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