Sleep

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                                             S l e e p
                                                B y
                                    B A C K H O U S E   M I K E
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                   +--------------------------PLEASE NOTE--------------------------+
                   + This file is the work of Jordan Lapping and represents his    +
                   + transcription of the song. You may only use this file for     +
                   + private study, scholarship, or research. The contents may not +
                   + be duplicated for use with other websites without written     +
                   + permission. Thank you for understanding. Enjoy.               +
                   +---------------------------------------------------------------+

 CHORDS USED:
     [A7]   [C]    [Cm]   [D]    [Dm]   [Eb]  [Eb7]   [Em]   [F]    [F7]   [F9]   [G]    [Gm]
e]---5----x----3----2----5----x----6----0----1----1----3----3----3---|
B]---5----5----4----3----6----8----8----0----1----1----1----3----3---|
G]---6----5----5----2----7----8----6----0----2----2----2----4----3---|
D]---5----5----5----0----7----8----8----2----3----1----1----5----5---|
A]---7----3----3---------5----6----6----2----3----3----3----5----5---|
E]---5----------------------------------0----1----1----1----3----3---|

[G]   [C]

  Lost o[G]ne friend, and an[C]other
  Lost [G]my way, and a l[C]over
  But s[G]he never really kn[Em]ew me at a[Cm]ll

  Now, what's t[G]he thought that'll ch[C]ange me?
  Did y[G]ou think you could br[C]eak me?
  Guess your pi[G]eces didn't sh[Em]ape me after a[Cm]ll

 TRANSITION 1:
[Cm]   [Dm]   [Eb]

  H[G]ow do you sl[F7]eep through the n[Em]ight?
  It's s[D]o s[C]ad, and she says;
 "Th[G]ese are the th[F7]ings that aren't r[Em]ight
  in y[D]our h[C]ead" - so I'm like;
 "C[G]ould you desc[F7]ribe b[Em]eing [C]al[A7]ive?
  Kn[Eb7]owing you must suffer to survive"

 PRE-VERSE:
[G]   [C]

  So, what's with l[G]ove - means att[C]ention
  What's with l[G]ost - as dir[C]ection?
  What with o[G]ld pain that'll b[Em]eckon to the w[Cm]eak

  What's with h[G]ate - had red[C]emption
  What's with tr[G]ust - needs rej[C]ection
  What with k[G]illing the d[Em]ance that we s[Cm]eek?

 TRANSITION 2:
[Cm]   [Dm]   [Eb]

  So h[G]ow do you sl[F7]eep through the n[Em]ight?
  It's s[D]o s[C]ad, and she says;
 "Th[G]ese are the th[F7]ings that aren't r[Em]ight
  in y[D]our h[C]ead" - so I'm like;
 "C[G]ould you desc[F7]ribe b[Em]eing [C]al[A7]ive?
  Kn[Eb7]owing you must suffer to survive"

 PRE-BRIDGE:
[G]   [C]

  B[Eb7]aby, when you thr[C]ew the cup
  You kn[F]ew I wouldn't p[Gm]ick it up
  And m[Eb7]aybe, there's an[C]other life
  That t[F]ook you aw[D]ay
  And l[Eb7]ife is like a ph[C]otograph
  You t[F]ear it up and s[Gm]end it back
  But pl[Eb7]ease no more pictures t[C]oday

  So, h[G]ow do you sl[F7]eep through the n[Em]ight?
  It's s[D]o s[C]ad, and she says;
 "Th[G]ese are the th[F7]ings that aren't r[Em]ight
  in y[D]our h[C]ead" - so I'm like;
 "C[G]ould you desc[F7]ribe [Em]bei[G]ng al[A7]ive?
  Kn[Eb7]owing you must suffer too, you really do"

 TRANSITION 3:
[Cm]   [D]   [Eb]

  H[G]ow do you sl[F7]eep through the n[Em]ight?
  It's s[G]o s[C]ad, and she says;
 "Th[G]ese are the th[F7]ings that aren't r[Em]ight
  in y[G]our h[C]ead" - so I'm like;
 "C[G]ould you desc[F7]ribe [Em]bei[G]ng [C]al[A7]ive?
  Kn[Eb7]owing you must suffer to survive"

[G]   [C]
[G]   [A7]   [G7]   [F9]

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